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Race, class, and gender in "medieval" cinema[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/6552
書名/作者:	Race, class, and gender in "medieval" cinema/ edited by Lynn T. Ramey and Tison Pugh.
其他作者:	Ramey, Lynn Tarte,
出版者:	New York : : Palgrave Macmillan,, 2007.
面頁冊數:	viii, 228 p. : : ill.
標題:	Middle Ages in motion pictures.
標題:	Race in motion pictures.
標題:	Social classes in motion pictures.
標題:	Sex role in motion pictures.
ISBN:	9780230603561
ISBN:	0230603564
書目註:	Includes bibliographical references and index.
內容註:	Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes / Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin /John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo / Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior / Lynn Shutters -- Mission historical, or "[T]here were a hell of alot of knights": ethnicity and alterity inJerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court / Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupiedFrance, 1942-43 / Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk,the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke / Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender incinematic treatments of the Robin Hood legend / Lorrain K. Stock and Candace Gregory-Abbott.
摘要、提要註:	The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centerson highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normallybe considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to exploremodern preoccupations with human identity.
電子資源:	access to fulltext (Palgrave)

Race, class, and gender in "medieval" cinema[electronic resource] /
Race, class, and gender in "medieval" cinema[electronic resource] /edited by Lynn T. Ramey and Tison Pugh. - New York :Palgrave Macmillan,2007. - viii, 228 p. :ill. - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).

Includes bibliographical references and index.

Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes / Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin /John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo / Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior / Lynn Shutters -- Mission historical, or "[T]here were a hell of alot of knights": ethnicity and alterity inJerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court / Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupiedFrance, 1942-43 / Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk,the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke / Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender incinematic treatments of the Robin Hood legend / Lorrain K. Stock and Candace Gregory-Abbott.

The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centerson highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normallybe considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to exploremodern preoccupations with human identity.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230603561

Standard No.: 10.1057/9780230603561doiSubjects--Topical Terms:

370583
Middle Ages in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.M52 / R33 2007eb

Dewey Class. No.: 791.43/6552

Race, class, and gender in "medieval" cinema[electronic resource] /
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260 $a New York : $b Palgrave Macmillan, $c 2007.
300 $a viii, 228 p. : $b ill.
490 1 $a The new Middle Ages
504 $a Includes bibliographical references and index.
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650 0 $a Social classes in motion pictures. $3 370585
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