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Post-jazz poetics[electronic resource] :a social history /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	811/.5409928708996073
書名/作者:	Post-jazz poetics : a social history // Jennifer D. Ryan.
作者:	Ryan, Jennifer D.,
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	xi, 225 p. : : ill.
標題:	American poetry - African American authors
標題:	American poetry - Women authors
標題:	Jazz in literature.
標題:	Literature and society - History - 20th century. - United States
標題:	African American women - Intellectual life - 20th century.
標題:	Feminism and literature - History - 20th century. - United States
標題:	Poetics - History - 20th century.
標題:	Music and literature - History - 20th century.
ISBN:	9780230109094
ISBN:	0230109098
書目註:	Includes bibliographical references (p. [199]-216) and index.
內容註:	Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.
摘要、提要註:	African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.
電子資源:	access to fulltext (Palgrave)

Post-jazz poetics[electronic resource] :a social history /
Ryan, Jennifer D.,1974-

Post-jazz poeticsa social history /[electronic resource] :Jennifer D. Ryan. - 1st ed. - New York :Palgrave Macmillan,2010. - xi, 225 p. :ill.

Includes bibliographical references (p. [199]-216) and index.

Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230109094Subjects--Personal Names:

376069
Williams, Sherley Anne,
1944-1999--Criticism and interpretation.Subjects--Topical Terms:

373414
American poetry
--African American authorsIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS310.J39 / R93 2010

Dewey Class. No.: 811/.5409928708996073

Post-jazz poetics[electronic resource] :a social history /
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505 0 $a Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.
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