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Rogue performances[electronic resour...
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  • Rogue performances[electronic resource] :staging the underclasses in early American theatre culture /
  • レコード種別: 言語・文字資料 (印刷物) : 単行資料
    [NT 15000414] null: 812/.209352624
    [NT 15000414] null: 812.009
    タイトル / 著者: Rogue performances : staging the underclasses in early American theatre culture // Peter P. Reed.
    著者: Reed, Peter P.
    出版された: New York, NY : : Palgrave Macmillan,, 2009.
    記述: xii, 249 p. : : ill. ;; 25 cm.
    主題: American drama - History and criticism. - 18th century
    主題: American drama - History and criticism. - 19th century
    主題: Theater and society - History - 18th century. - United States
    主題: Theater and society - History - 19th century. - United States
    主題: Poor in literature.
    主題: Working class in literature.
    主題: Rogues and vagabonds in literature.
    国際標準図書番号 (ISBN) : 9780230622715
    国際標準図書番号 (ISBN) : 0230622712
    [NT 15000227] null: Includes bibliographical references and index.
    [NT 15000228] null: Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
    [NT 15000229] null: Rogue Performances recovers eighteenth and nineteenth-century American culture's fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period's most popular plays. Peter Reed alsoexplores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
    電子資源: access to fulltext (Palgrave)
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