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[ subject:"Representation (Philosophy)" ]
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国際標準書誌記述(ISBD)
Representation and identity from Ver...
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Palgrave Connect (Online service)
Representation and identity from Versailles to the present[electronic resource] :the performing subject /
レコード種別:
言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:
792.09
タイトル / 著者:
Representation and identity from Versailles to the present : the performing subject // Alan Sikes.
著者:
Sikes, Alan.
出版された:
New York ; : Palgrave Macmillan,, 2007.
記述:
xii, 214 p. : : ill.
シリーズ:
Palgrave studies in theatre and performance history
主題:
Performing arts - Philosophy.
主題:
Performing arts - History.
主題:
Subjectivity.
主題:
Representation (Philosophy)
主題:
Performing arts - Psychological aspects.
主題:
Performing arts - Social aspects.
国際標準図書番号 (ISBN) :
9780230605619
国際標準図書番号 (ISBN) :
0230605613
[NT 15000227] null:
Includes bibliographical references and index.
[NT 15000228] null:
The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.
[NT 15000229] null:
This book investigates the shifting relationship between performanceand subjectivity over thecourse of the Modern era. Each chapter details a different set of performance strategies designed togrant the subject a stable sense of self-identity, and each explores the fallout fromthe ultimate failure of these strategies to offer the subject a fixed and enduring image of itself. The conclusionexamines the implications of this failure for new Postmodern conceptions of subjectivity and posesquestions about the use of performance in the self-fashioning of future generations.
電子資源:
access to fulltext (Palgrave)
Representation and identity from Versailles to the present[electronic resource] :the performing subject /
Sikes, Alan.
Representation and identity from Versailles to the present
the performing subject /[electronic resource] :Alan Sikes. - 1st ed. - New York ;Palgrave Macmillan,2007. - xii, 214 p. :ill. - Palgrave studies in theatre and performance history.
Includes bibliographical references and index.
The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.
This book investigates the shifting relationship between performanceand subjectivity over thecourse of the Modern era. Each chapter details a different set of performance strategies designed togrant the subject a stable sense of self-identity, and each explores the fallout fromthe ultimate failure of these strategies to offer the subject a fixed and enduring image of itself. The conclusionexamines the implications of this failure for new Postmodern conceptions of subjectivity and posesquestions about the use of performance in the self-fashioning of future generations.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230605619
Standard No.: 10.1057/9780230605619doiSubjects--Topical Terms:
371019
Performing arts
--Philosophy.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1584 / .S55 2007eb
Dewey Class. No.: 792.09
Representation and identity from Versailles to the present[electronic resource] :the performing subject /
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The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.
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This book investigates the shifting relationship between performanceand subjectivity over thecourse of the Modern era. Each chapter details a different set of performance strategies designed togrant the subject a stable sense of self-identity, and each explores the fallout fromthe ultimate failure of these strategies to offer the subject a fixed and enduring image of itself. The conclusionexamines the implications of this failure for new Postmodern conceptions of subjectivity and posesquestions about the use of performance in the self-fashioning of future generations.
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http://www.palgraveconnect.com/doifinder/10.1057/9780230605619
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