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[ subject:"Refugees in literature." ]
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国際標準書誌記述(ISBD)
Refugees, theatre and crisis[electro...
~
Jeffers, Alison, (1961-)
Refugees, theatre and crisis[electronic resource] :performing global identities /
レコード種別:
言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:
792.02/2
タイトル / 著者:
Refugees, theatre and crisis : performing global identities // Alison Jeffers.
その他のタイトル:
Refugees, theater and crisis
著者:
Jeffers, Alison,
出版された:
Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
記述:
1 online resource (xiii, 197 p.) : : ill.
主題:
Refugees in literature.
主題:
PERFORMING ARTS / Theater / History & Criticism.
主題:
PERFORMING ARTS / Theater / General.
主題:
POLITICAL SCIENCE / Globalization.
主題:
Fl�uchtling.
主題:
Theater.
主題:
PERFORMING ARTS / Theater / Stagecraft
主題:
Theater - Political aspects.
主題:
Theater and society.
主題:
Performing arts - Political aspects.
主題:
Refugees as artists.
国際標準図書番号 (ISBN) :
9780230354821 (electronic bk.)
国際標準図書番号 (ISBN) :
0230354823 (electronic bk.)
[NT 15000227] null:
Includes bibliographical references and index.
[NT 15000228] null:
List of Illustrations -- Acknowledgements -- Preface -- Introduction: Stories, Words and Points of View -- Refugees, Crisis and Bureaucratic Performance -- Hosts and Guests: National Performance and the Ethics of Hospitality -- Taking up Space and Making a Noise: Minority Performances of Activism -- 'We With Them and Them With Us': Diverse Cultural Performances -- Conclusion: Face to Face or Shoulder to Shoulder? -- Notes -- References -- Index --.
[NT 15000229] null:
Refugees who have travelled to western states to claim asylum must prove that they are 'Convention refugees' before they can be considered 'legitimate': they must show that they have fled individual persecution in their home country and that they fear persecution should they return. In the course of arguing their case as 'Convention refugees' they become enmeshed in bureaucratic performance which often casts them as conventional refugees, those who confirm to cultural expectations of suffering, passivity and silence. This book examines a range of theatre and performance practices that address questions of responsibility, hospitality and understanding. Using examples from Europe, Australia and the US it shows how theatre has represented refugees to the citizens of those states. It discusses the many ways that refugees have represented themselves through theatre and the arts and the challenges that they face as a result of mistrust and the expectations that are placed on them.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230354821
Refugees, theatre and crisis[electronic resource] :performing global identities /
Jeffers, Alison,1961-
Refugees, theatre and crisis
performing global identities /[electronic resource] :Refugees, theater and crisisAlison Jeffers. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource (xiii, 197 p.) :ill. - Performance interventions. - Performance interventions..
Includes bibliographical references and index.
List of Illustrations -- Acknowledgements -- Preface -- Introduction: Stories, Words and Points of View -- Refugees, Crisis and Bureaucratic Performance -- Hosts and Guests: National Performance and the Ethics of Hospitality -- Taking up Space and Making a Noise: Minority Performances of Activism -- 'We With Them and Them With Us': Diverse Cultural Performances -- Conclusion: Face to Face or Shoulder to Shoulder? -- Notes -- References -- Index --.
Refugees who have travelled to western states to claim asylum must prove that they are 'Convention refugees' before they can be considered 'legitimate': they must show that they have fled individual persecution in their home country and that they fear persecution should they return. In the course of arguing their case as 'Convention refugees' they become enmeshed in bureaucratic performance which often casts them as conventional refugees, those who confirm to cultural expectations of suffering, passivity and silence. This book examines a range of theatre and performance practices that address questions of responsibility, hospitality and understanding. Using examples from Europe, Australia and the US it shows how theatre has represented refugees to the citizens of those states. It discusses the many ways that refugees have represented themselves through theatre and the arts and the challenges that they face as a result of mistrust and the expectations that are placed on them.
ISBN: 9780230354821 (electronic bk.)
Source: 400319Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
474420
Refugees in literature.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1643 / .J44 2012
Dewey Class. No.: 792.02/2
Refugees, theatre and crisis[electronic resource] :performing global identities /
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List of Illustrations -- Acknowledgements -- Preface -- Introduction: Stories, Words and Points of View -- Refugees, Crisis and Bureaucratic Performance -- Hosts and Guests: National Performance and the Ethics of Hospitality -- Taking up Space and Making a Noise: Minority Performances of Activism -- 'We With Them and Them With Us': Diverse Cultural Performances -- Conclusion: Face to Face or Shoulder to Shoulder? -- Notes -- References -- Index --.
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Introduction: stories, words and points of view -- Refugees, crisis and bureaucratic performance -- Hosts and guests: national performance and the ethics of hospitality -- Taking up space and making a noise: minority performances of activism -- 'We with them and them with us': diverse cultural performances -- Conclusion: face to face or shoulder to shoulder.
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Refugees who have travelled to western states to claim asylum must prove that they are 'Convention refugees' before they can be considered 'legitimate': they must show that they have fled individual persecution in their home country and that they fear persecution should they return. In the course of arguing their case as 'Convention refugees' they become enmeshed in bureaucratic performance which often casts them as conventional refugees, those who confirm to cultural expectations of suffering, passivity and silence. This book examines a range of theatre and performance practices that address questions of responsibility, hospitality and understanding. Using examples from Europe, Australia and the US it shows how theatre has represented refugees to the citizens of those states. It discusses the many ways that refugees have represented themselves through theatre and the arts and the challenges that they face as a result of mistrust and the expectations that are placed on them.
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http://www.palgraveconnect.com/doifinder/10.1057/9780230354821
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