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Music, radio and the public sphere[e...
Fairchild, Charles, (1967-)

 

  • Music, radio and the public sphere[electronic resource] :the aesthetics of democracy /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 302.23/440994
    書名/作者: Music, radio and the public sphere : the aesthetics of democracy // Charles Fairchild.
    作者: Fairchild, Charles,
    出版者: Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
    面頁冊數: 1 online resource.
    標題: Radio and music - Australia.
    標題: Community radio - Australia.
    標題: Radio music - Australia.
    標題: Radio broadcasting - Social aspects - Australia.
    標題: PERFORMING ARTS / Radio / History & Criticism
    標題: MUSIC / History & Criticism
    標題: POLITICAL SCIENCE / Political Ideologies / Democracy
    標題: SOCIAL SCIENCE / Media Studies
    ISBN: 9780230390515 (electronic bk.)
    ISBN: 023039051X (electronic bk.)
    書目註: Includes bibliographical references and index.
    內容註: Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.
    摘要、提要註: Radio remains one of the most popular mediums through which people experience music. Yet there have only been a few studies examining the dynamic effects of radio on music. In this innovative study of community radio, Charles Fairchild uses a novel combination of critical analysis, interdisciplinary theory and ethnographic writing to compare commercial and community radio institutions and practices. By situating community radio in the dominant context of consumerism, Fairchild shows how people can create democratic discourses by speaking through other people's music. He argues that the social relations produced by playing music on the radio, and the inherent ambiguity of music itself, hold the potential for cultural democracy. The book shows how community radio's aesthetic practices accord with the ideals of an open and equitable public sphere, contributing to civil society and a potentially democratic aesthetics in which the 'old medium' of radio holds profound lessons for 'new media'.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9780230390515
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