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Acoustic interculturalism[electronic resource] :listening to performance /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792.01
書名/作者:	Acoustic interculturalism : listening to performance // Marcus Cheng Chye Tan.
作者:	Tan, Marcus Cheng Chye.
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
面頁冊數:	xii, 259 p. : : ill., music ;; 23 cm.
標題:	Intercultural communication in the performing arts.
標題:	Sounds - Anthropological aspects.
標題:	Music in the theater.
標題:	Music - Social aspects.
標題:	Performing arts - Asia.
標題:	PERFORMING ARTS / Theater / History & Criticism
ISBN:	9781137016959 (electronic bk.)
ISBN:	1137016957 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Acknowledgements -- Introduction: The Intercultural Topography and an Acoustic Interculturalism -- The Performativity of Sound and the Soundscapes of Culture -- Acoustic Mimesis: Ethical Cadence and Sonic Violence in Tambours Sur La Digue -- (Echo)Locating Other-Shakespeares: An Aesthetics of Pop & the Ear of the Other -- Listening In/To Asia: Ong Keng Sen's Desdemona and the Polyphonies of Asia -- 'If Music Be The Food Of Love': -- Conclusion: After Authenticity: Naming the Intercultural -- Bibliography -- Index.
摘要、提要註:	This book is timely in addressing the role of sound and music in intercultural performances. While the acoustics of performance is often regarded as equally important in experiencing the intercultural spectacle, little attention has been paid to sound's meaning and function in the ways that it generates meaning or contributes to the experience of viewing. Being the first sustained study of how an aural attention to performance shapes the intercultural experience, Tan poses critical questions about the performative nature of sound. Employing an interdisciplinary approach, Acoustic Interculturalism explores the ways in which music and the voice demarcate cultural histories and spaces, and how, in their intercultural use, these audial relations in turn acoustically reflect the cultural-political negotiations salient on the intercultural stage. Tan advances an importance of 'listening' to performance and through close analysis of a range of intercultural productions, he further postulates that sound can provide alternative means of accessing and comprehending the intercultural.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Acoustic interculturalism[electronic resource] :listening to performance /
Tan, Marcus Cheng Chye.

Acoustic interculturalismlistening to performance /[electronic resource] :Marcus Cheng Chye Tan. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - xii, 259 p. :ill., music ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

Acknowledgements -- Introduction: The Intercultural Topography and an Acoustic Interculturalism -- The Performativity of Sound and the Soundscapes of Culture -- Acoustic Mimesis: Ethical Cadence and Sonic Violence in Tambours Sur La Digue -- (Echo)Locating Other-Shakespeares: An Aesthetics of Pop & the Ear of the Other -- Listening In/To Asia: Ong Keng Sen's Desdemona and the Polyphonies of Asia -- 'If Music Be The Food Of Love': -- Conclusion: After Authenticity: Naming the Intercultural -- Bibliography -- Index.

This book is timely in addressing the role of sound and music in intercultural performances. While the acoustics of performance is often regarded as equally important in experiencing the intercultural spectacle, little attention has been paid to sound's meaning and function in the ways that it generates meaning or contributes to the experience of viewing. Being the first sustained study of how an aural attention to performance shapes the intercultural experience, Tan poses critical questions about the performative nature of sound. Employing an interdisciplinary approach, Acoustic Interculturalism explores the ways in which music and the voice demarcate cultural histories and spaces, and how, in their intercultural use, these audial relations in turn acoustically reflect the cultural-political negotiations salient on the intercultural stage. Tan advances an importance of 'listening' to performance and through close analysis of a range of intercultural productions, he further postulates that sound can provide alternative means of accessing and comprehending the intercultural.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2012.

Mode of access: World Wide Web.

ISBN: 9781137016959 (electronic bk.)

Source: 536610Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

478288
Intercultural communication in the performing arts.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2039 / .T36 2012

Dewey Class. No.: 792.01

Acoustic interculturalism[electronic resource] :listening to performance /
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505 0 $a Introduction: the intercultural topography and an acoustic interculturalism -- The performativity of sound and the soundscapes of culture -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural.
520 $a This book is timely in addressing the role of sound and music in intercultural performances. While the acoustics of performance is often regarded as equally important in experiencing the intercultural spectacle, little attention has been paid to sound's meaning and function in the ways that it generates meaning or contributes to the experience of viewing. Being the first sustained study of how an aural attention to performance shapes the intercultural experience, Tan poses critical questions about the performative nature of sound. Employing an interdisciplinary approach, Acoustic Interculturalism explores the ways in which music and the voice demarcate cultural histories and spaces, and how, in their intercultural use, these audial relations in turn acoustically reflect the cultural-political negotiations salient on the intercultural stage. Tan advances an importance of 'listening' to performance and through close analysis of a range of intercultural productions, he further postulates that sound can provide alternative means of accessing and comprehending the intercultural.
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