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Screening the face[electronic resour...

Coates, Paul, (1953-)

Screening the face[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4302
書名/作者:	Screening the face/ by Paul Coates.
作者:	Coates, Paul,
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
標題:	Face in motion pictures.
標題:	PERFORMING ARTS / Film & Video / History & Criticism.
標題:	PERFORMING ARTS / Film & Video / Direction & Production.
標題:	CRAFTS & HOBBIES / Fashion.
標題:	ART / Film & Video
標題:	PERFORMING ARTS / Film & Video / Reference
ISBN:	9781137012289 (electronic bk.)
ISBN:	1137012285 (electronic bk.)
內容註:	Acknowledgements -- Introduction -- Faces and 'Faciality' -- The Fate of Contemplation: Closeness and Distance -- Masks and Metaphor: Doubles and Animals -- Invisibility, Medusa, and the Mask -- Dissonance and Synthesis: Persona, the Face, the Mask and the Thing -- Works Cited -- Index -- --.
摘要、提要註:	Paul Coates presents the face in film as a place where transformations begin, above all under the influence of modernity's problematization of the reading of faces, but also of age-old myths. The book considers where and how the face becomes either a mask, or what Lacanian theory would term 'the Thing', in a perspective informed by film theory, anthropology, philosophy and theology. Although its key text is Ingmar Bergman's Persona, it analyzes a wide range of other films, primarily European and American, including Cat People, The Dark Knight, Dekalog 1, Eyes Wide Shut, The Face of Another, Greed, The Passion of Joan of Arc, Triumph of the Will, and various works by Chris Marker. The book investigates the face's modifications by allegory, the close-up, doubling, horror, stardom, veiling and war; the significance of its representation in profile and three-quarter-face; and the urge to mask or freeze its vulnerable, ever-changing nature.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137012289

Screening the face[electronic resource] /
Coates, Paul,1953-

Screening the face[electronic resource] /by Paul Coates. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Acknowledgements -- Introduction -- Faces and 'Faciality' -- The Fate of Contemplation: Closeness and Distance -- Masks and Metaphor: Doubles and Animals -- Invisibility, Medusa, and the Mask -- Dissonance and Synthesis: Persona, the Face, the Mask and the Thing -- Works Cited -- Index -- --.

Paul Coates presents the face in film as a place where transformations begin, above all under the influence of modernity's problematization of the reading of faces, but also of age-old myths. The book considers where and how the face becomes either a mask, or what Lacanian theory would term 'the Thing', in a perspective informed by film theory, anthropology, philosophy and theology. Although its key text is Ingmar Bergman's Persona, it analyzes a wide range of other films, primarily European and American, including Cat People, The Dark Knight, Dekalog 1, Eyes Wide Shut, The Face of Another, Greed, The Passion of Joan of Arc, Triumph of the Will, and various works by Chris Marker. The book investigates the face's modifications by allegory, the close-up, doubling, horror, stardom, veiling and war; the significance of its representation in profile and three-quarter-face; and the urge to mask or freeze its vulnerable, ever-changing nature.

ISBN: 9781137012289 (electronic bk.)

Source: 502204Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

476949
Face in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.F27 / C63 2012

Dewey Class. No.: 791.4302

Screening the face[electronic resource] /
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520 $a Paul Coates presents the face in film as a place where transformations begin, above all under the influence of modernity's problematization of the reading of faces, but also of age-old myths. The book considers where and how the face becomes either a mask, or what Lacanian theory would term 'the Thing', in a perspective informed by film theory, anthropology, philosophy and theology. Although its key text is Ingmar Bergman's Persona, it analyzes a wide range of other films, primarily European and American, including Cat People, The Dark Knight, Dekalog 1, Eyes Wide Shut, The Face of Another, Greed, The Passion of Joan of Arc, Triumph of the Will, and various works by Chris Marker. The book investigates the face's modifications by allegory, the close-up, doubling, horror, stardom, veiling and war; the significance of its representation in profile and three-quarter-face; and the urge to mask or freeze its vulnerable, ever-changing nature.
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