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The soul of film theory[electronic r...

Cooper, Sarah.

The soul of film theory[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4301
書名/作者:	The soul of film theory/ Sarah Cooper.
作者:	Cooper, Sarah.
出版者:	Houndsmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2013.
面頁冊數:	1 online resource.
標題:	Motion pictures - Philosophy.
標題:	Motion pictures - Psychological aspects.
標題:	BODY, MIND & SPIRIT / General.
標題:	PHILOSOPHY / General.
標題:	SOCIAL SCIENCE / Media Studies.
標題:	PERFORMING ARTS / Film & Video / History & Criticism
ISBN:	9781137328588 (electronic bk.)
ISBN:	1137328584 (electronic bk.)
書目註:	Includes bibliographical references.
內容註:	Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks.
摘要、提要註:	"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M�unsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Am�ed�ee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137328588

The soul of film theory[electronic resource] /
Cooper, Sarah.

The soul of film theory[electronic resource] /Sarah Cooper. - Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks.

"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M�unsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Am�ed�ee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

ISBN: 9781137328588 (electronic bk.)

Source: 547627Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

379679
Motion pictures
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995 / .C652 2013

Dewey Class. No.: 791.4301

The soul of film theory[electronic resource] /
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245 1 4 $a The soul of film theory $h [electronic resource] / $c Sarah Cooper.
260 $a Houndsmills, Basingstoke, Hampshire ; $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 8 $a Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks.
520 $a "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M�unsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Am�ed�ee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 379679
650 0 $a Motion pictures $x Psychological aspects. $3 371936
650 7 $a BODY, MIND & SPIRIT / General. $2 bisacsh $3 528811
650 7 $a PHILOSOPHY / General. $2 bisacsh $3 472406
650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 472602
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 473234
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Cooper, Sarah. $t Soul of film theory $z 9780230365131 $w (DLC) 2013014616 $w (OCoLC)825047285
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137328588
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938 $a Ingram Digital eBook Collection $b IDEB $n cis25646115
994 $a C0 $b TEF

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