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Post-war modernist cinema and philos...
~
Ford, Hamish, (1970-)
Post-war modernist cinema and philosophy[electronic resource] :confronting negativity and time /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.4301
書名/作者:
Post-war modernist cinema and philosophy : confronting negativity and time // Hamish Ford.
作者:
Ford, Hamish,
出版者:
Houndsmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource.
標題:
Motion pictures - Philosophy.
標題:
Time in motion pictures.
標題:
PERFORMING ARTS / Film & Video / History & Criticism
ISBN:
9781137283528 (electronic bk.)
ISBN:
1137283521 (electronic bk.)
ISBN:
9780230368873 (Cloth)
ISBN:
0230368875 (Cloth)
ISBN:
9781283737807 (MyiLibrary)
ISBN:
1283737809 (MyiLibrary)
書目註:
Includes bibliographical references and index.
內容註:
Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.
摘要、提要註:
Directly contributing to the growing interdisciplinary areas of film-philosophy and modernist studies, as well as film history and theory, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time analyses four exemplary 1960s European films. Persona (Ingmar Bergman, 1966) and Two or Three Things I Know About Her (Jean-Luc Godard, 1966) are addressed for their unique contributions to the philosophical understanding of negativity, a discussion for which German philosopher Theodor Adorno's late work is the main literary source. Last Year in Marienbad (Alain Resnais, 1961) and L'eclisse (Michelangelo Antonioni, 1962) are read through their contrasting subversive renderings of temporality, an analysis selectively utilising French philosopher Gilles Deleuze's notion of the 'time-image'. Appropriate for both academic readers and informed general enthusiasts of the cinema it addresses, the book demonstrates both philosophy's particular usefulness for the analysis of modernist cinema and film form's inherent potential for radical philosophical impact.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137283528
Post-war modernist cinema and philosophy[electronic resource] :confronting negativity and time /
Ford, Hamish,1970-
Post-war modernist cinema and philosophy
confronting negativity and time /[electronic resource] :Hamish Ford. - Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.
Includes bibliographical references and index.
Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.
Directly contributing to the growing interdisciplinary areas of film-philosophy and modernist studies, as well as film history and theory, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time analyses four exemplary 1960s European films. Persona (Ingmar Bergman, 1966) and Two or Three Things I Know About Her (Jean-Luc Godard, 1966) are addressed for their unique contributions to the philosophical understanding of negativity, a discussion for which German philosopher Theodor Adorno's late work is the main literary source. Last Year in Marienbad (Alain Resnais, 1961) and L'eclisse (Michelangelo Antonioni, 1962) are read through their contrasting subversive renderings of temporality, an analysis selectively utilising French philosopher Gilles Deleuze's notion of the 'time-image'. Appropriate for both academic readers and informed general enthusiasts of the cinema it addresses, the book demonstrates both philosophy's particular usefulness for the analysis of modernist cinema and film form's inherent potential for radical philosophical impact.
ISBN: 9781137283528 (electronic bk.)
Source: 550238Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
379679
Motion pictures
--Philosophy.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1995 / .F595 2012
Dewey Class. No.: 791.4301
Post-war modernist cinema and philosophy[electronic resource] :confronting negativity and time /
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