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Existentialism and social engagement...
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Gaine, Vincent M., (1979-)
Existentialism and social engagement in the films of Michael Mann[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.43/684
書名/作者:
Existentialism and social engagement in the films of Michael Mann/ Vincent M. Gaine.
作者:
Gaine, Vincent M.,
出版者:
Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, c2011.
面頁冊數:
1 online resource (ix, 251 p.)
標題:
Existentialism in motion pictures.
標題:
Motion pictures - Social aspects - United States.
標題:
PERFORMING ARTS / Film & Video / History & Criticism
標題:
PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts)
標題:
BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts
標題:
PHILOSOPHY / Aesthetics
標題:
ART / Film & Video
標題:
PERFORMING ARTS / Film & Video / Reference
ISBN:
9780230348448 (electronic bk.)
ISBN:
0230348440 (electronic bk.)
ISBN:
9786613318480 (electronic bk.)
ISBN:
6613318485 (electronic bk.)
書目註:
Includes bibliographical references (p. 236-241) and index.
內容註:
Introduction -- Mann and movies. Michael Mann: Hollywood auteur? -- Film and philosophy -- Crime and solitude. Being the Thief (1981) -- Psychological resolution in Manhunter (1986) -- Isolation and desolation in Heat (1995) -- Indifference and compassion in Collateral (2004) -- Pretence and romance in Miami vice (2006) -- History and social conscience. Origins of evil in The keep (1983) -- Utopia lost in The last of the Mohicans (1992) -- Hazardous authenticity in The insider (1999) -- Being the people's champion in Ali (2001) -- Conclusion: ethics, engagement and enemies.
摘要、提要註:
Michael Mann has delivered some of the most intelligent and complex Hollywood films of recent decades, including Manhunter, Heat, The Insider and Collateral. This book argues that the films of this important director are best understood as existential dramas, engaging critically with existentialist philosophy and its place within the societies Michael Mann depicts.�His protagonists�exhibit both the benefits and difficulties of an existential way of life, especially�problems with social engagement experienced by the conflicted male characters. From Thief to The Last of the Mohicans�and Miami Vice, this study illuminates the philosophical complexities of Michael Mann's films.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230348448
Existentialism and social engagement in the films of Michael Mann[electronic resource] /
Gaine, Vincent M.,1979-
Existentialism and social engagement in the films of Michael Mann
[electronic resource] /Vincent M. Gaine. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,c2011. - 1 online resource (ix, 251 p.)
Includes bibliographical references (p. 236-241) and index.
Introduction -- Mann and movies. Michael Mann: Hollywood auteur? -- Film and philosophy -- Crime and solitude. Being the Thief (1981) -- Psychological resolution in Manhunter (1986) -- Isolation and desolation in Heat (1995) -- Indifference and compassion in Collateral (2004) -- Pretence and romance in Miami vice (2006) -- History and social conscience. Origins of evil in The keep (1983) -- Utopia lost in The last of the Mohicans (1992) -- Hazardous authenticity in The insider (1999) -- Being the people's champion in Ali (2001) -- Conclusion: ethics, engagement and enemies.
Michael Mann has delivered some of the most intelligent and complex Hollywood films of recent decades, including Manhunter, Heat, The Insider and Collateral. This book argues that the films of this important director are best understood as existential dramas, engaging critically with existentialist philosophy and its place within the societies Michael Mann depicts.�His protagonists�exhibit both the benefits and difficulties of an existential way of life, especially�problems with social engagement experienced by the conflicted male characters. From Thief to The Last of the Mohicans�and Miami Vice, this study illuminates the philosophical complexities of Michael Mann's films.
ISBN: 9780230348448 (electronic bk.)
Source: 508415Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
391813
Mann, Michael
Subjects--Topical Terms:
473236
Existentialism in motion pictures.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1998.3.M3645 / G35 2011
Dewey Class. No.: 791.43/684
Existentialism and social engagement in the films of Michael Mann[electronic resource] /
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Introduction -- Mann and movies. Michael Mann: Hollywood auteur? -- Film and philosophy -- Crime and solitude. Being the Thief (1981) -- Psychological resolution in Manhunter (1986) -- Isolation and desolation in Heat (1995) -- Indifference and compassion in Collateral (2004) -- Pretence and romance in Miami vice (2006) -- History and social conscience. Origins of evil in The keep (1983) -- Utopia lost in The last of the Mohicans (1992) -- Hazardous authenticity in The insider (1999) -- Being the people's champion in Ali (2001) -- Conclusion: ethics, engagement and enemies.
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Michael Mann has delivered some of the most intelligent and complex Hollywood films of recent decades, including Manhunter, Heat, The Insider and Collateral. This book argues that the films of this important director are best understood as existential dramas, engaging critically with existentialist philosophy and its place within the societies Michael Mann depicts.�His protagonists�exhibit both the benefits and difficulties of an existential way of life, especially�problems with social engagement experienced by the conflicted male characters. From Thief to The Last of the Mohicans�and Miami Vice, this study illuminates the philosophical complexities of Michael Mann's films.
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