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  • Heritage, nostalgia and modern British theatre[electronic resource] :staging the Victorians /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 822/.05109
    書名/作者: Heritage, nostalgia and modern British theatre : staging the Victorians // Benjamin Poore.
    作者: Poore, Benjamin,
    出版者: New York : : Palgrave Macmillan,, 2012.
    面頁冊數: 1 online resource (ix, 232 p.)
    標題: Historical drama, English - History and criticism.
    標題: English drama - History and criticism. - 20th century
    標題: English fiction - Adaptations
    標題: English fiction - History and criticism. - 19th century
    標題: Literature and history - History - 20th century. - Great Britain
    標題: Stage adaptations.
    標題: Nostalgia in literature.
    標題: DRAMA / English, Irish, Scottish, Welsh
    標題: Great Britain - Fiction.
    ISBN: 9780230360143 (electronic bk.)
    ISBN: 0230360149 (electronic bk.)
    書目註: Includes bibliographical references and index.
    內容註: List of Illustrations -- Acknowledgements -- Introduction: Staging the Victorians -- Staging the Bad Old Days -- Staging the Empire -- Staging Dickens -- Staging Life Stories -- Staging the Bron�ts -- Staging Hauntings -- Restaging the Victorians -- Notes -- Bibliography.
    摘要、提要註: The Victorians, having once been seen as 'them', the age responsible for the mistakes of the past, were transformed by the new theatrical forms of the 1960s into 'us', a metaphor for what the nation thinks (and fears) about itself. And, since the 1980s and the rise of new biographical forms in the theatre, the emphasis has shifted further, from 'we' to 'me': plays about individuals, great and small, and their struggles for personal validation. This study argues powerfully that the stage portrayal of the Victorians in recent times is a key reference point in understanding notions of Britishness, heritage and nostalgia, and the profound politicisation of national identity over the last four decades. Using many examples drawn from theatre archives, and throwing new light on works by canonical playwrights like Bond, Edgar, and Churchill, it charts the decline in class-based narratives of the British people and the move towards plays reflecting a more atomised, individuated society, preoccupied with identity and the past but no longer able to provide a convincing account of itself as a nation.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9780230360143
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