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Modernism and nihilism[electronic re...

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Modernism and nihilism[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	149/.8
書名/作者:	Modernism and nihilism/ Shane Weller.
作者:	Weller, Shane.
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	1 online resource.
標題:	Philosophy, Modern.
標題:	Nihilism.
ISBN:	9780230294622 (electronic bk.)
ISBN:	0230294626 (electronic bk.)
內容註:	Introduction: Modernity, Modernism, Nihilism -- PART I: PHILOSOPHICAL MODERNISM AND NIHILISM -- From the French Revolution to Nietzsche -- Nietzsche's Long Shadow -- PART II: AESTHETIC MODERNISM AND NIHILISM -- From Flaubert to Dada -- Kafka and After -- PART III: POSTMODERNISM AND NIHILISM -- Our Only Chance?
摘要、提要註:	At the heart of some of the most influential strands of philosophical, political, and aesthetic modernism lies the conviction that modernity is fundamentally nihilistic. This book offers a wide-ranging critical history of the concept of nihilism from its origins in French Revolutionary discourse to its place in recent theorizations of the postmodern. Key moments in that history include the concept's appropriation by political activists in mid-nineteenth-century Russia, by Nietzsche in the 1880s, by the European avant-garde and 'high' modernists in the early decades of the twentieth century, by conservative revolutionaries in Germany in the interwar years, and by major theorists in the post-Holocaust period. Focusing in particular on the abiding impact of Nietzsche's claim that art is the 'only superior counterforce' to nihilism, Weller argues that an understanding of modernism (and, indeed, of postmodernism) is impossible without a reflection upon the decisive role played by the concept of nihilism therein.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Modernism and nihilism[electronic resource] /
Weller, Shane.

Modernism and nihilism[electronic resource] /Shane Weller. - New York :Palgrave Macmillan,2010. - 1 online resource.

Introduction: Modernity, Modernism, Nihilism -- PART I: PHILOSOPHICAL MODERNISM AND NIHILISM -- From the French Revolution to Nietzsche -- Nietzsche's Long Shadow -- PART II: AESTHETIC MODERNISM AND NIHILISM -- From Flaubert to Dada -- Kafka and After -- PART III: POSTMODERNISM AND NIHILISM -- Our Only Chance?

At the heart of some of the most influential strands of philosophical, political, and aesthetic modernism lies the conviction that modernity is fundamentally nihilistic. This book offers a wide-ranging critical history of the concept of nihilism from its origins in French Revolutionary discourse to its place in recent theorizations of the postmodern. Key moments in that history include the concept's appropriation by political activists in mid-nineteenth-century Russia, by Nietzsche in the 1880s, by the European avant-garde and 'high' modernists in the early decades of the twentieth century, by conservative revolutionaries in Germany in the interwar years, and by major theorists in the post-Holocaust period. Focusing in particular on the abiding impact of Nietzsche's claim that art is the 'only superior counterforce' to nihilism, Weller argues that an understanding of modernism (and, indeed, of postmodernism) is impossible without a reflection upon the decisive role played by the concept of nihilism therein.

ISBN: 9780230294622 (electronic bk.)

Source: 363588Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

190628
Philosophy, Modern.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: B791 / .W45 2010

Dewey Class. No.: 149/.8

Modernism and nihilism[electronic resource] /
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520 $a At the heart of some of the most influential strands of philosophical, political, and aesthetic modernism lies the conviction that modernity is fundamentally nihilistic. This book offers a wide-ranging critical history of the concept of nihilism from its origins in French Revolutionary discourse to its place in recent theorizations of the postmodern. Key moments in that history include the concept's appropriation by political activists in mid-nineteenth-century Russia, by Nietzsche in the 1880s, by the European avant-garde and 'high' modernists in the early decades of the twentieth century, by conservative revolutionaries in Germany in the interwar years, and by major theorists in the post-Holocaust period. Focusing in particular on the abiding impact of Nietzsche's claim that art is the 'only superior counterforce' to nihilism, Weller argues that an understanding of modernism (and, indeed, of postmodernism) is impossible without a reflection upon the decisive role played by the concept of nihilism therein.
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