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Remembering the occupation in French...

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Remembering the occupation in French film[electronic resource] :national identity in postwar Europe /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/658
書名/作者:	Remembering the occupation in French film : national identity in postwar Europe // Leah D. Hewitt.
作者:	Hewitt, Leah Dianne.
出版者:	New York : : Palgrave Macmillan,, 2008.
面頁冊數:	viii, 254 p. : : ill.
叢書名:	Studies in European culture and history
標題:	World War, 1939-1945 - Motion pictures and the war.
標題:	Motion pictures - History. - France
標題:	National characteristics, French.
標題:	France - Social life and customs - 21st century.
ISBN:	9780230612105
ISBN:	0230612105
書目註:	Includes bibliographical references (p. [231]-242) and index.
內容註:	Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
摘要、提要註:	When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.
電子資源:	access to fulltext (Palgrave)

Remembering the occupation in French film[electronic resource] :national identity in postwar Europe /
Hewitt, Leah Dianne.

Remembering the occupation in French filmnational identity in postwar Europe /[electronic resource] :Leah D. Hewitt. - 1st ed. - New York :Palgrave Macmillan,2008. - viii, 254 p. :ill. - Studies in European culture and history.

Includes bibliographical references (p. [231]-242) and index.

Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230612105

Standard No.: 10.1057/9780230612105doiSubjects--Topical Terms:

371510
World War, 1939-1945
--Motion pictures and the war.Subjects--Geographical Terms:

339427
France
--Social life and customs--21st century.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: D743.23 / .H48 2008eb

Dewey Class. No.: 791.43/658

Remembering the occupation in French film[electronic resource] :national identity in postwar Europe /
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245 1 0 $a Remembering the occupation in French film $h [electronic resource] : $b national identity in postwar Europe / $c Leah D. Hewitt.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2008.
300 $a viii, 254 p. : $b ill.
440 0 $a Studies in European culture and history
504 $a Includes bibliographical references (p. [231]-242) and index.
505 0 $a Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
520 $a When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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650 0 $a National characteristics, French. $3 350854
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