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Greek reflections on the nature of m...

Levin, Flora R., (1924-2009,)

Greek reflections on the nature of music /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	780.938
書名/作者:	Greek reflections on the nature of music // Flora R. Levin.
作者:	Levin, Flora R.,
面頁冊數:	1 online resource (xxiii, 340 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Music, Greek and Roman - History and criticism.
標題:	Music theory - History - To 500. - Greece
標題:	Music - Philosophy and aesthetics.
ISBN:	9780511581519 (ebook)
內容註:	All deep things are song -- We are all Aristoxenians -- The discrete and the continuous -- Magnitudes and multitudes -- The topology of melody -- Aristoxenus of Tarentum and Ptolemaïs of Cyrene -- Aisthēsis and Logos : a single continent -- The infinite and the infinitesimal.
摘要、提要註:	Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music's structural elements and, conversely, that music by virtue of its cosmic elements - time, motion, and the continuum - is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled. Her book shows how the Greeks' appreciation of the profundity of music's interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilisation has ever matched.
電子資源:	http://dx.doi.org/10.1017/CBO9780511581519

Greek reflections on the nature of music /
Levin, Flora R.,1924-2009,

Greek reflections on the nature of music /Flora R. Levin. - 1 online resource (xxiii, 340 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

All deep things are song -- We are all Aristoxenians -- The discrete and the continuous -- Magnitudes and multitudes -- The topology of melody -- Aristoxenus of Tarentum and Ptolemaïs of Cyrene -- Aisthēsis and Logos : a single continent -- The infinite and the infinitesimal.

Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music's structural elements and, conversely, that music by virtue of its cosmic elements - time, motion, and the continuum - is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled. Her book shows how the Greeks' appreciation of the profundity of music's interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilisation has ever matched.

ISBN: 9780511581519 (ebook)Subjects--Topical Terms:

415981
Music, Greek and Roman
--History and criticism.

LC Class. No.: ML169 / .L64 2009

Dewey Class. No.: 780.938

Greek reflections on the nature of music /
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505 0 $a All deep things are song -- We are all Aristoxenians -- The discrete and the continuous -- Magnitudes and multitudes -- The topology of melody -- Aristoxenus of Tarentum and Ptolemaïs of Cyrene -- Aisthēsis and Logos : a single continent -- The infinite and the infinitesimal.
520 $a Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music's structural elements and, conversely, that music by virtue of its cosmic elements - time, motion, and the continuum - is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled. Her book shows how the Greeks' appreciation of the profundity of music's interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilisation has ever matched.
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856 4 0 $u http://dx.doi.org/10.1017/CBO9780511581519

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