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The new film history[electronic resource] :sources, methods, approaches /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4309
書名/作者:	The new film history : sources, methods, approaches // edited by James Chapman, Mark Glancy and Sue Harper.
其他作者:	Chapman, James,
出版者:	Basingstoke ; : Palgrave Macmillan,, 2007.
面頁冊數:	xi, 256 p.
標題:	Motion pictures.
ISBN:	9780230206229
ISBN:	0230206220
書目註:	Includes bibliographical references and index.
內容註:	Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity' / Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s / Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler / Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency / SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.
摘要、提要註:	The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Written in an engaging and lively style, the book seeks to overcome the traditional divide between Film Studies and Film History and to offer an overview of the key areas of research, including reception studies, genre, authorship and the historical film. It also offers detailed case studies on topics such as national identity and the historical film, the place of the screenwriter in authorship studies, the relationship betweengangster and 'gansta', and the use of the Internet in reception studies. With contributions from fifteen leading film historians, this is thefirst major overview of the field of film history to be published in twenty years.
電子資源:	access to fulltext (Palgrave)

The new film history[electronic resource] :sources, methods, approaches /
The new film historysources, methods, approaches /[electronic resource] :edited by James Chapman, Mark Glancy and Sue Harper. - Basingstoke ;Palgrave Macmillan,2007. - xi, 256 p.

Includes bibliographical references and index.

Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity' / Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s / Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler / Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency / SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.

The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Written in an engaging and lively style, the book seeks to overcome the traditional divide between Film Studies and Film History and to offer an overview of the key areas of research, including reception studies, genre, authorship and the historical film. It also offers detailed case studies on topics such as national identity and the historical film, the place of the screenwriter in authorship studies, the relationship betweengangster and 'gansta', and the use of the Internet in reception studies. With contributions from fifteen leading film historians, this is thefirst major overview of the field of film history to be published in twenty years.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230206229

Standard No.: 10.1057/9780230206229doiSubjects--Topical Terms:

371567
Motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1994 / .N483 2007eb

Dewey Class. No.: 791.4309

The new film history[electronic resource] :sources, methods, approaches /
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504 $a Includes bibliographical references and index.
505 0 $a Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity' / Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s / Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler / Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency / SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.
520 $a The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Written in an engaging and lively style, the book seeks to overcome the traditional divide between Film Studies and Film History and to offer an overview of the key areas of research, including reception studies, genre, authorship and the historical film. It also offers detailed case studies on topics such as national identity and the historical film, the place of the screenwriter in authorship studies, the relationship betweengangster and 'gansta', and the use of the Internet in reception studies. With contributions from fifteen leading film historians, this is thefirst major overview of the field of film history to be published in twenty years.
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