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Film and female consciousness[electronic resource] :Irigaray, cinema and thinking women /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/6522
書名/作者:	Film and female consciousness : Irigaray, cinema and thinking women // Lucy Bolton.
作者:	Bolton, Lucy.
出版者:	Basingstoke [England] ; : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (256 p.) : : ill.
標題:	Women in motion pictures.
標題:	Motion pictures and women.
標題:	Feminism and motion pictures.
標題:	Feminist film criticism.
標題:	ART / Film & Video
標題:	PERFORMING ARTS / Film & Video / Reference
ISBN:	9780230308695 (electronic bk.)
ISBN:	0230308694 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Acknowledgements -- Abbreviations -- Introduction -- 'Frozen in Showcases': Feminist Film Theory and the Abstraction of Woman -- The Camera as an Irigarayan Speculum -- In the Cut: Self-Endangerment or Subjective Strength? -- Lost in Translation: The Potential of Becoming -- Morvern Callar: In a Sensory Wonderland -- Architects of Beauty and the Crypts of Our Bodies: Implications for Filmmaking and Spectatorship -- Concluding Remarks: The Object is Speaking -- Bibliography -- Filmography -- Discography -- Notes -- Index.
摘要、提要註:	Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Drawing on the philosophy of Luce Irigaray in relation to women's cultivation of self-knowledge, this book examines female characters as they go through processes of transition or transformation. Bolton's approach demonstrates how the encounter between Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Through meticulous theoretical positioning, and close textual analysis, Bolton shows how cinema can create works of philosophy that investigate questions of personal identity, sexuality and relationships with others. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230308695

Film and female consciousness[electronic resource] :Irigaray, cinema and thinking women /
Bolton, Lucy.

Film and female consciousnessIrigaray, cinema and thinking women /[electronic resource] :Lucy Bolton. - Basingstoke [England] ;Palgrave Macmillan,2011. - 1 online resource (256 p.) :ill.

Includes bibliographical references and index.

Acknowledgements -- Abbreviations -- Introduction -- 'Frozen in Showcases': Feminist Film Theory and the Abstraction of Woman -- The Camera as an Irigarayan Speculum -- In the Cut: Self-Endangerment or Subjective Strength? -- Lost in Translation: The Potential of Becoming -- Morvern Callar: In a Sensory Wonderland -- Architects of Beauty and the Crypts of Our Bodies: Implications for Filmmaking and Spectatorship -- Concluding Remarks: The Object is Speaking -- Bibliography -- Filmography -- Discography -- Notes -- Index.

Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Drawing on the philosophy of Luce Irigaray in relation to women's cultivation of self-knowledge, this book examines female characters as they go through processes of transition or transformation. Bolton's approach demonstrates how the encounter between Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Through meticulous theoretical positioning, and close textual analysis, Bolton shows how cinema can create works of philosophy that investigate questions of personal identity, sexuality and relationships with others. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.

ISBN: 9780230308695 (electronic bk.)

Standard No.: 9786613210104

Source: 415770Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

372016
Irigaray, Luce
--Criticism and interpretation.Subjects--Topical Terms:

372018
Women in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.W6 / B64 2011

Dewey Class. No.: 791.43/6522

Film and female consciousness[electronic resource] :Irigaray, cinema and thinking women /
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505 0 $a Acknowledgements -- Abbreviations -- Introduction -- 'Frozen in Showcases': Feminist Film Theory and the Abstraction of Woman -- The Camera as an Irigarayan Speculum -- In the Cut: Self-Endangerment or Subjective Strength? -- Lost in Translation: The Potential of Becoming -- Morvern Callar: In a Sensory Wonderland -- Architects of Beauty and the Crypts of Our Bodies: Implications for Filmmaking and Spectatorship -- Concluding Remarks: The Object is Speaking -- Bibliography -- Filmography -- Discography -- Notes -- Index.
505 0 $a Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern Callar : in a sensory wonderland -- Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship -- Concluding remarks : the object is speaking.
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