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Writing marginality in modern French...

Hughes, Edward J. (1953-)

Writing marginality in modern French literature :from Loti to Genet /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	840.9/355
書名/作者:	Writing marginality in modern French literature : : from Loti to Genet // Edward J. Hughes.
作者:	Hughes, Edward J.
面頁冊數:	1 online resource (xii, 209 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	French literature - History and criticism. - 19th century
標題:	French literature - History and criticism. - 20th century
標題:	Marginality, Social, in literature.
標題:	Literature and society - History - 19th century. - France
標題:	Literature and society - History - 20th century. - France
ISBN:	9780511485817 (ebook)
內容註:	Without obligation : exotic appropriation in Loti and Gauguin -- Exemplary inclusions, indecent exclusons in Proust's Recherche -- Claimimg cultural dissidence : the case of Montherlant's La Rose de sable -- Camus and the resistance to history -- Peripheries, public and private : Genet and dispossession.
摘要、提要註:	Writing Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.
電子資源:	http://dx.doi.org/10.1017/CBO9780511485817

Writing marginality in modern French literature :from Loti to Genet /
Hughes, Edward J.1953-

Writing marginality in modern French literature :from Loti to Genet /Edward J. Hughes. - 1 online resource (xii, 209 pages) :digital, PDF file(s). - Cambridge studies in French ;67. - Cambridge studies in French ;61..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Without obligation : exotic appropriation in Loti and Gauguin -- Exemplary inclusions, indecent exclusons in Proust's Recherche -- Claimimg cultural dissidence : the case of Montherlant's La Rose de sable -- Camus and the resistance to history -- Peripheries, public and private : Genet and dispossession.

Writing Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.

ISBN: 9780511485817 (ebook)Subjects--Topical Terms:

371670
French literature
--History and criticism.--19th century

LC Class. No.: PQ295.M37 / H84 2001

Dewey Class. No.: 840.9/355

Writing marginality in modern French literature :from Loti to Genet /
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520 $a Writing Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.
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650 0 $a Marginality, Social, in literature. $3 371213
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650 0 $a Literature and society $z France $x History $y 20th century. $3 643160
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