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Making meaning in popular romance fi...
~
Kamble, Jayashree.
Making meaning in popular romance fiction[electronic resource] :an epistemology /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823.08509
書名/作者:
Making meaning in popular romance fiction : an epistemology // Jayashree Kamble.
作者:
Kamble, Jayashree.
出版者:
Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:
208 p. : : 7 b&w, ill.
附註:
Electronic book text.
標題:
Capitalism in literature.
標題:
Heterosexuality in literature.
標題:
Love stories, American - History and criticism.
標題:
Love stories, Canadian - History and criticism.
標題:
Love stories, English - History and criticism.
標題:
Protestantism in literature.
標題:
War in literature.
標題:
Literary studies: fiction, novelists & prose writers - English.
標題:
Literature.
ISBN:
1137395052 (electronic bk.) :
ISBN:
9781137395047
ISBN:
9781137395054 (electronic bk.) :
內容註:
Introduction: What Does It Mean to Say 'Romance Novel'? 1. Capitalism: Money and Means in Romance Novels 2. War: Patriotism and the Traumatized Romance Novel Hero 3. Heterosexuality: Negotiating Normative Romance Novel Desire 4. White Protestantism: Race and Religious Ethos in Romance Novels Conclusion: The Next Chapter for Romance Novels.
摘要、提要註:
Despite pioneering studies, the term 'romance novel' itself has not been subjected to scrutiny. This book examines mass-market romance fiction in the U.K., Canada, and the U.S. through four categories: capitalism, war, heterosexuality, and white Protestantism and casts a fresh light on the genre.
電子資源:
Online journal 'available contents' page
Making meaning in popular romance fiction[electronic resource] :an epistemology /
Kamble, Jayashree.
Making meaning in popular romance fiction
an epistemology /[electronic resource] :Jayashree Kamble. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 208 p. :7 b&w, ill.
Electronic book text.
Introduction: What Does It Mean to Say 'Romance Novel'? 1. Capitalism: Money and Means in Romance Novels 2. War: Patriotism and the Traumatized Romance Novel Hero 3. Heterosexuality: Negotiating Normative Romance Novel Desire 4. White Protestantism: Race and Religious Ethos in Romance Novels Conclusion: The Next Chapter for Romance Novels.
Document
Despite pioneering studies, the term 'romance novel' itself has not been subjected to scrutiny. This book examines mass-market romance fiction in the U.K., Canada, and the U.S. through four categories: capitalism, war, heterosexuality, and white Protestantism and casts a fresh light on the genre.Despite pioneering studies, the term romance novel itself has not been subjected to scrutiny. This study examines mass-market romance fiction in the U.K., Canada, and the U.S. through four categories: capitalism, war, heterosexuality, and white Protestantism to cast a fresh light on the genre. Adopting Michel Foucault's idea of the 'episteme,' Jayashree Kamble argues that romance novels are a quintessentially twentieth and twenty-first century genre and rooted in the real world conditions (episteme) that correspond to the four elements above. As such, romance fiction provides a prismatic look at the struggles around globalization, 'democratic' armed aggression, heteropatriarchy, and historically Protestant values, particularly as understood by the genre's readers and authors.
PDF.
Jayashree Kamble is Assistant Professor of English at LaGuardia Community College-CUNY, USA. She has received the Romance Writers of America Academic Research Grant twice and has published scholarship on romance fiction and Hindi cinema.
ISBN: 1137395052 (electronic bk.) :£53.50Subjects--Topical Terms:
393731
Capitalism in literature.
LC Class. No.: PN3448.L67 / K36 2014
Dewey Class. No.: 823.08509
Making meaning in popular romance fiction[electronic resource] :an epistemology /
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Introduction: What Does It Mean to Say 'Romance Novel'? 1. Capitalism: Money and Means in Romance Novels 2. War: Patriotism and the Traumatized Romance Novel Hero 3. Heterosexuality: Negotiating Normative Romance Novel Desire 4. White Protestantism: Race and Religious Ethos in Romance Novels Conclusion: The Next Chapter for Romance Novels.
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Despite pioneering studies, the term 'romance novel' itself has not been subjected to scrutiny. This book examines mass-market romance fiction in the U.K., Canada, and the U.S. through four categories: capitalism, war, heterosexuality, and white Protestantism and casts a fresh light on the genre.
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Despite pioneering studies, the term romance novel itself has not been subjected to scrutiny. This study examines mass-market romance fiction in the U.K., Canada, and the U.S. through four categories: capitalism, war, heterosexuality, and white Protestantism to cast a fresh light on the genre. Adopting Michel Foucault's idea of the 'episteme,' Jayashree Kamble argues that romance novels are a quintessentially twentieth and twenty-first century genre and rooted in the real world conditions (episteme) that correspond to the four elements above. As such, romance fiction provides a prismatic look at the struggles around globalization, 'democratic' armed aggression, heteropatriarchy, and historically Protestant values, particularly as understood by the genre's readers and authors.
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Based on her sure command of the romance novels written since 1908, Kamble elucidates both 'romance' and 'novel' to offer a theory that unlocks the genre's depiction of ideological struggles involving post-industrial capitalism, patriotic warfare, heteronormativity, and racial anxiety. In her analysis, the romance novel emerges as a record of the most pressing public debates of the last century. Clearly written, equally at ease in its offering of theoretical insight and close reading, Making Meaning in Popular Romance Fiction: An Epistemology is a must-read. - Pamela Regis, Professor of English, McDaniel College, USA, and author of A Natural History of the Romance Novel 'The hero carries the book,' romance novelist Laura Kinsale declared in the early 1990s. Jayashree Kamble's groundbreaking study tracks enduring hero types - the capitalist, the wounded warrior, the racial or paranormal Other, the ostentatiously heterosexual male - across the 20th and early 21st centuries, showing how they and the romance genre evolve and adapt to social change. Sharp-eyed readings of over a dozen British and American authors situate their novels in political history (Thatcherism, the war on terror, battles for LGBT rights) and the emergence of a globalized romance publishing industry. Smart, insightful, and provocative, this book is full of discoveries. - Eric Murphy Selinger, Professor of English, DePaul University, USA, and Executive Editor of the Journal of Popular Romance Studies In a cogent and convincing argument and drawing on a wide variety of examples, Jayashree Kamble adds significantly to our understanding of the resilience, flexibility, and relevance of the popular romance novel. By focusing on the figure of the hero and demonstrating how the romance novel portrays and manages changing social concerns over time, Kamble situates the popular romance in its cultural, critical, and aesthetic context. - Kay Mussell, Professor Emerita of Literature, American University, USA.
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