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Transatlantic encounters :Latin Amer...

Greet, Michele, (1970-)

Transatlantic encounters :Latin American artists in Paris between the wars /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	709.04
書名/作者:	Transatlantic encounters : : Latin American artists in Paris between the wars // Michele Greet.
其他題名:	Latin American artists in Paris between the wars
作者:	Greet, Michele,
出版者:	New Haven : : Yale University Press,, c2018.
面頁冊數:	vii, 288 p. : : ill. (chiefly col.) ;; 29 cm.
標題:	Art, Latin American - 20th century. - France
標題:	Expatriate artists - France
標題:	Artists - Latin America.
標題:	Latin Americans - France
ISBN:	9780300228427 (hbk.) :
書目註:	Includes bibliographical references (p. 258-281) and index.
摘要、提要註:	Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.

Transatlantic encounters :Latin American artists in Paris between the wars /
Greet, Michele,1970-

Transatlantic encounters :Latin American artists in Paris between the wars /Latin American artists in Paris between the warsMichele Greet. - New Haven :Yale University Press,c2018. - vii, 288 p. :ill. (chiefly col.) ;29 cm.

Includes bibliographical references (p. 258-281) and index.

Among the Cubists --Acknowledgments --

Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.

ISBN: 9780300228427 (hbk.) :NTD 1,878

LCCN: 2017939208Subjects--Topical Terms:

694584
Art, Latin American
--France--20th century.

LC Class. No.: N6502.5 / .G74 2018

Dewey Class. No.: 709.04

Transatlantic encounters :Latin American artists in Paris between the wars /
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504 $a Includes bibliographical references (p. 258-281) and index.
505 0 0 $g Acknowledgments -- $g Introduction -- $g Chapter 1. $t Among the Cubists -- $g Chapter 2. $t Latin American artists in Montparnasse -- $g Chapter 3. $t Paris : capital of Latin American -- $g Chapter 4. $t At the salons -- $g Chapter 5. $t At the galleries -- $g Chapter 6. $t "Exhilarating exile" : four Latin American women exhibit in Paris -- $g Chapter 7. $t In the press -- $g Chapter 8. $t Joaquín Torres García in Paris : artist, innovator, organizer -- $g Chapter 9. $t Exploring surrealism -- $g Chapter 10. $t A pre-World War II resurgence -- $g Notes -- $g Illustration credits -- $g Index.
520 $a Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.
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