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[ author_sort:"spillman, deborah shapple." ]
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British Colonial realism in Africa[e...
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Africa
British Colonial realism in Africa[electronic resource] :inalienable objects, contested domains /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
820.9/12
書名/作者:
British Colonial realism in Africa : inalienable objects, contested domains // Deborah Shapple Spillman.
作者:
Spillman, Deborah Shapple.
出版者:
New York : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource.
標題:
English literature - History and criticism. - 19th century
標題:
Realism in literature.
標題:
Colonies in literature.
標題:
British - Intellectual life. - Africa
標題:
Commonwealth literature (English) - History and criticism.
標題:
SOCIAL SCIENCE / Anthropology / Cultural
標題:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
標題:
LITERARY CRITICISM / African
標題:
Africa - Languages.
ISBN:
9780230378018 (electronic bk.)
ISBN:
0230378013 (electronic bk.)
ISBN:
9780230378001 (Cloth)
ISBN:
0230378005 (Cloth)
內容註:
List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
摘要、提要註:
How are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
電子資源:
An electronic book accessible through the World Wide Web; click for information
British Colonial realism in Africa[electronic resource] :inalienable objects, contested domains /
Spillman, Deborah Shapple.
British Colonial realism in Africa
inalienable objects, contested domains /[electronic resource] :Deborah Shapple Spillman. - New York :Palgrave Macmillan,2012. - 1 online resource. - Palgrave studies in nineteenth-century writing and culture.
List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
How are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2012.
Mode of access: World Wide Web.
ISBN: 9780230378018 (electronic bk.)
Standard No.: 9786613657169
Source: 567997Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
371047
English literature
--History and criticism.--19th centurySubjects--Geographical Terms:
337703
Africa
--Languages.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR468.R42 / S65 2012
Dewey Class. No.: 820.9/12
British Colonial realism in Africa[electronic resource] :inalienable objects, contested domains /
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List of Illustrations -- Preface -- Introduction: Reading Colonial Realism -- Taking Objects for Origins: Victorian Ethnography and Heart of Darkness -- The Uncanny Object Lessons of Mary Kingsley and Edward Blyden -- Realism and Realia in Colonial Southern Africa -- Artful Tales and Indigenous Arts in The Story of an African Farm -- Coda -- Notes -- Bibliography -- Index -- --.
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How are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
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