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Masculinity, gender and identity in ...

Bates, Catherine, (1964-)

Masculinity, gender and identity in the English Renaissance lyric /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	821.309353
書名/作者:	Masculinity, gender and identity in the English Renaissance lyric // Catherine Bates.
其他題名:	Masculinity, Gender & Identity in the English Renaissance Lyric
作者:	Bates, Catherine,
面頁冊數:	1 online resource (viii, 263 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Masculinity in literature.
標題:	Identity (Philosophical concept) in literature.
標題:	English poetry - History and criticism. - Early modern, 1500-1700
ISBN:	9780511483455 (ebook)
內容註:	Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis.
摘要、提要註:	In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large.
電子資源:	http://dx.doi.org/10.1017/CBO9780511483455

Masculinity, gender and identity in the English Renaissance lyric /
Bates, Catherine,1964-

Masculinity, gender and identity in the English Renaissance lyric /Masculinity, Gender & Identity in the English Renaissance LyricCatherine Bates. - 1 online resource (viii, 263 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis.

In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large.

ISBN: 9780511483455 (ebook)Subjects--Topical Terms:

370776
Masculinity in literature.

LC Class. No.: PR508.M35 / B38 2007

Dewey Class. No.: 821.309353

Masculinity, gender and identity in the English Renaissance lyric /
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520 $a In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large.
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