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A theater of the senses: A cultural ...

Carr, Kevin Matthew.

A theater of the senses: A cultural history of theatrical effects in early-modern England.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
書名/作者:	A theater of the senses: A cultural history of theatrical effects in early-modern England.
作者:	Carr, Kevin Matthew.
面頁冊數:	177 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Contained By:	Dissertation Abstracts International75-01A(E).
標題:	Literature, English.
標題:	History of Science.
標題:	Theater History.
ISBN:	9781303432453
摘要、提要註:	New or evolving stage technologies such as squibs, cranes, pulleys, cannons, trap doors, and other apparatuses all contributed to the rise in popularity of what I refer to as an effects-driven "theater of the senses" in early-modern England. Early modern theater and science shared a common interest in the performance of effects. The performance of these effects elevated the role of the senses in both theater and experimental culture. While demonstrating the diverse ways in which technology was employed on the early-modern stage (in the works of Christopher Marlowe, William Shakespeare, and Ben Johnson), A Theater of the Senses argues that the phenomenology of theatrical performance is a crucial context within which we can better understand the experimental culture of the seventeenth century.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3596476

A theater of the senses: A cultural history of theatrical effects in early-modern England.
Carr, Kevin Matthew.

A theater of the senses: A cultural history of theatrical effects in early-modern England. - 177 p.

Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.

Thesis (Ph.D.)--The Florida State University, 2013.

New or evolving stage technologies such as squibs, cranes, pulleys, cannons, trap doors, and other apparatuses all contributed to the rise in popularity of what I refer to as an effects-driven "theater of the senses" in early-modern England. Early modern theater and science shared a common interest in the performance of effects. The performance of these effects elevated the role of the senses in both theater and experimental culture. While demonstrating the diverse ways in which technology was employed on the early-modern stage (in the works of Christopher Marlowe, William Shakespeare, and Ben Johnson), A Theater of the Senses argues that the phenomenology of theatrical performance is a crucial context within which we can better understand the experimental culture of the seventeenth century.

ISBN: 9781303432453Subjects--Topical Terms:

422963
Literature, English.

A theater of the senses: A cultural history of theatrical effects in early-modern England.
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500 $a Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
500 $a Adviser: Elizabeth Spiller.
502 $a Thesis (Ph.D.)--The Florida State University, 2013.
520 $a New or evolving stage technologies such as squibs, cranes, pulleys, cannons, trap doors, and other apparatuses all contributed to the rise in popularity of what I refer to as an effects-driven "theater of the senses" in early-modern England. Early modern theater and science shared a common interest in the performance of effects. The performance of these effects elevated the role of the senses in both theater and experimental culture. While demonstrating the diverse ways in which technology was employed on the early-modern stage (in the works of Christopher Marlowe, William Shakespeare, and Ben Johnson), A Theater of the Senses argues that the phenomenology of theatrical performance is a crucial context within which we can better understand the experimental culture of the seventeenth century.
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650 4 $a Theater History. $3 506677
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