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100 books every folk music fan should own[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	016.7816213
書名/作者:	100 books every folk music fan should own/ Dick Weissman.
作者:	Weissman, Dick.
出版者:	Lanham : : Rowman & Littlefield Publishers,, 2014.
面頁冊數:	1 online resource (211 p.)
標題:	Folk music - Bibliography.
標題:	Folk music.
ISBN:	9780810882348
ISBN:	9780810886667
書目註:	Includes bibliographical references and index.
內容註:	100 books every folk music fan should own -- Contents -- The 100 Books (And Then Some) -- Acknowledgments -- Introduction -- The Folk 100 -- Historical Surveys -- Biographies and Autobiographies -- Songbooks and Folk Song Collections -- American Indians -- The Immigrants -- Spanish-Language Music in the United States -- African American Music -- Anglo American Songs -- Black and White -- Politics, Protest and Workers' Songs, and the Folk Song Revival -- Miscellaneous: A Little Bit of This and a Little Bit of That -- Folk Rock and Freak Folk -- The Business of Folk -- Folk Instruments and Instructional Materials -- Appendix: A Baker's Dozen of the Next to the Best -- Index -- About the Author.
摘要、提要註:	In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre. In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader-whether fan or scholar. Folk music fans, scholars, and students of the American folk music tradition-indeed, any reader seeking guidance on the best books in the field-will want a copy of this vital work.
電子資源:	click for full text

100 books every folk music fan should own[electronic resource] /
Weissman, Dick.

100 books every folk music fan should own[electronic resource] /Dick Weissman. - Lanham :Rowman & Littlefield Publishers,2014. - 1 online resource (211 p.) - Best music books.. - Best music books..

Includes bibliographical references and index.

100 books every folk music fan should own -- Contents -- The 100 Books (And Then Some) -- Acknowledgments -- Introduction -- The Folk 100 -- Historical Surveys -- Biographies and Autobiographies -- Songbooks and Folk Song Collections -- American Indians -- The Immigrants -- Spanish-Language Music in the United States -- African American Music -- Anglo American Songs -- Black and White -- Politics, Protest and Workers' Songs, and the Folk Song Revival -- Miscellaneous: A Little Bit of This and a Little Bit of That -- Folk Rock and Freak Folk -- The Business of Folk -- Folk Instruments and Instructional Materials -- Appendix: A Baker's Dozen of the Next to the Best -- Index -- About the Author.

In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre. In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader-whether fan or scholar. Folk music fans, scholars, and students of the American folk music tradition-indeed, any reader seeking guidance on the best books in the field-will want a copy of this vital work.

ISBN: 9780810882348Subjects--Topical Terms:

714722
Folk music
--Bibliography.

LC Class. No.: ML128.F74

Dewey Class. No.: 016.7816213

100 books every folk music fan should own[electronic resource] /
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520 3 $a In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre. In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader-whether fan or scholar. Folk music fans, scholars, and students of the American folk music tradition-indeed, any reader seeking guidance on the best books in the field-will want a copy of this vital work.
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