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The truth about Fania Fenelon and th...
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  • The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau[electronic resource] /
  • 紀錄類型: 書目-電子資源 : Monograph/item
    杜威分類號: 940.5318094386
    書名/作者: The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau/ by Susan Eischeid.
    作者: Eischeid, Susan.
    出版者: Cham : : Springer International Publishing :, 2016.
    面頁冊數: xiii, 151 p. : : ill., digital ;; 24 cm.
    Contained By: Springer eBooks
    標題: Holocaust, Jewish (1939-1945) - Historiography.
    標題: Holocaust, Jewish (1939-1945) - Sources.
    標題: World War, 1939-1945 - Prisoners and prisons, German.
    標題: Concentration camp inmates - Biography. - France
    標題: Jews - Biography. - France
    標題: Musicians - Biography. - France
    標題: History.
    標題: History of World War II and the Holocaust.
    標題: Film History.
    標題: History of Modern Europe.
    ISBN: 9783319310381
    ISBN: 9783319310374
    內容註: Introduction -- 1. The Auschwitz-Birkenau Women's Orchestra -- 2. Fania Fenelon and the Inception of Playing for Time -- 3. Scholarly Treatment of Playing for Time -- 4. The Response of the Other Survivors -- 5. Press Response and Continued Survivor Response -- 6. The Film Based on Playing for Time -- 7. The Artistic Influence of Fenelon's Memoir -- 8. Memoirs by the Other Survivors of the Orchestra -- 9. The Second Generation Legacy -- 10. Addressing the Revisionists -- Conclusion.
    摘要、提要註: This book explores how the women's orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon's memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore interrogates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women's history, and question how we remember the Holocaust today.
    電子資源: http://dx.doi.org/10.1007/978-3-319-31038-1
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