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[ subject:"Feminism and art." ]
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Femininity, time and feminist art[el...
~
Johnson, Clare.
Femininity, time and feminist art[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
701/.03
書名/作者:
Femininity, time and feminist art/ Clare Johnson.
作者:
Johnson, Clare.
出版者:
[Basingstoke] : : Palgrave Macmillan,, 2013.
面頁冊數:
1 online resource : : ill.
標題:
Feminism and art.
標題:
Feminism in art.
標題:
Feminist art criticism.
標題:
ART / General
ISBN:
9781137318091 (electronic bk.)
ISBN:
1137318090 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
摘要、提要註:
"Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137318091
Femininity, time and feminist art[electronic resource] /
Johnson, Clare.
Femininity, time and feminist art
[electronic resource] /Clare Johnson. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource :ill.
Includes bibliographical references and index.
1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
"Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.
ISBN: 9781137318091 (electronic bk.)
Source: 503571Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
185682
Feminism and art.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: N72.F45 / J64 2013
Dewey Class. No.: 701/.03
Femininity, time and feminist art[electronic resource] /
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1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
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