大葉大學圖書館 |

Fashion installation[electronic resource] :body, space, and performance /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	746.9/2
書名/作者:	Fashion installation : body, space, and performance // Adam Geczy and Vicki Karaminas.
作者:	Geczy, Adam.
其他作者:	Karaminas, Vicki.
出版者:	London : : Bloomsbury Visual Arts,, 2019.
面頁冊數:	1 online resource (vii, 133 p.)
附註:	Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
標題:	Fashion and art.
標題:	Fashion - Marketing.
標題:	Installations (Art)
標題:	Fashion shows.
標題:	Fashion - Cross-cultural studies. - Social aspects
ISBN:	9781350032545 (ebk.)
ISBN:	9781350032514 (hbk.)
ISBN:	9781350032521 (pbk.)
書目註:	Includes bibliographical references and index.
內容註:	List of Illustrations Introduction: Installing Fashion -- 1: Body: Mise en Scène -- 2: Fashion (Almost) Without Bodies -- 3: Body-in-Space and the Gesamtkunstwerk -- Conclusion: Fashion is a (Dis)Embodied Practice, or the Persistence of Perfume Bibliography Index.
摘要、提要註:	"Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition. Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context. Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation."--Bloomsbury Publishing.
電子資源:	https://doi.org/10.5040/9781350032545?locatt=label:secondary_bloomsburyCollections

Fashion installation[electronic resource] :body, space, and performance /
Geczy, Adam.

Fashion installationbody, space, and performance /[electronic resource] :Adam Geczy and Vicki Karaminas. - London :Bloomsbury Visual Arts,2019. - 1 online resource (vii, 133 p.)

Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.

Includes bibliographical references and index.

List of Illustrations Introduction: Installing Fashion -- 1: Body: Mise en Scène -- 2: Fashion (Almost) Without Bodies -- 3: Body-in-Space and the Gesamtkunstwerk -- Conclusion: Fashion is a (Dis)Embodied Practice, or the Persistence of Perfume Bibliography Index.

"Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition. Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context. Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation."--Bloomsbury Publishing.

ISBN: 9781350032545 (ebk.)Subjects--Topical Terms:

750030
Fashion and art.

LC Class. No.: GT523 / .G43 2019

Dewey Class. No.: 746.9/2

Fashion installation[electronic resource] :body, space, and performance /
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504 $a Includes bibliographical references and index.
505 0 $a List of Illustrations Introduction: Installing Fashion -- 1: Body: Mise en Scène -- 2: Fashion (Almost) Without Bodies -- 3: Body-in-Space and the Gesamtkunstwerk -- Conclusion: Fashion is a (Dis)Embodied Practice, or the Persistence of Perfume Bibliography Index.
520 $a "Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition. Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context. Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation."--Bloomsbury Publishing.
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