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Visual power and fame in Renâe d'Anj...

Chaucer, Geoffrey, (d. 1400.)

Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	820.9/353
書名/作者:	Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince/ SunHee Kim Gertz.
作者:	Gertz, Sunhee Kim,
出版者:	New York : : Palgrave Macmillan,, 2010.
面頁冊數:	xx, 227 p. : : ill.
標題:	Literature, Medieval - History and criticism.
標題:	Visual perception in literature.
標題:	Fame in literature.
標題:	Civilization, Medieval, in literature.
ISBN:	9780230106536
ISBN:	0230106536
書目註:	Includes bibliographical references and index.
內容註:	Fame and Fèurstenspiegel -- Renâe d'Anjou's Negotiations with Fame: Creating for a Future Past -- Chaucer's House of Fame: The Quasi-Iconoclastic Present -- Edward the Black Prince, The Future King.
摘要、提要註:	Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Renâe d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power.While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame's intoxicating butdeceptively simple promise of elite glory.
電子資源:	access to fulltext (Palgrave)

Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince[electronic resource] /
Gertz, Sunhee Kim,1951-

Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince[electronic resource] /SunHee Kim Gertz. - 1st ed. - New York :Palgrave Macmillan,2010. - xx, 227 p. :ill. - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).

Includes bibliographical references and index.

Fame and Fèurstenspiegel -- Renâe d'Anjou's Negotiations with Fame: Creating for a Future Past -- Chaucer's House of Fame: The Quasi-Iconoclastic Present -- Edward the Black Prince, The Future King.

Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Renâe d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power.While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame's intoxicating butdeceptively simple promise of elite glory.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230106536Subjects--Personal Names:

376126
Renâe
I,King of Naples and Jerusalem,1409-1480.Subjects--Topical Terms:

370790
Literature, Medieval
--History and criticism.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN682.V59 / G47 2010

Dewey Class. No.: 820.9/353

Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince[electronic resource] /
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100 1 $a Gertz, Sunhee Kim, $d 1951- $3 376125
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250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xx, 227 p. : $b ill.
490 1 $a The new Middle Ages
504 $a Includes bibliographical references and index.
505 0 $a Fame and Fèurstenspiegel -- Renâe d'Anjou's Negotiations with Fame: Creating for a Future Past -- Chaucer's House of Fame: The Quasi-Iconoclastic Present -- Edward the Black Prince, The Future King.
520 $a Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Renâe d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power.While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame's intoxicating butdeceptively simple promise of elite glory.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
600 0 0 $a Renâe $b I, $c King of Naples and Jerusalem, $d 1409-1480. $3 376126
600 1 0 $a Chaucer, Geoffrey, $d d. 1400. $t Canterbury tales $x Study and teaching. $3 371105
600 0 0 $a Edward, $c Prince of Wales, $d 1330-1376. $3 376127
650 0 $a Literature, Medieval $x History and criticism. $3 370790
650 0 $a Visual perception in literature. $3 376128
650 0 $a Fame in literature. $3 376129
650 0 $a Civilization, Medieval, in literature. $3 376130
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $a Gertz, Sunhee Kim, 1951- $t Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince. $b 1st ed. $d New York : Palgrave Macmillan, 2010 $z 9781403970534 $w (DLC) 2009035732 $w (OCoLC)226357078
830 0 $a New Middle Ages (Palgrave Macmillan (Firm)) $3 370465
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230106536 $z access to fulltext (Palgrave)

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