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After the Dresden bombing[electronic...

Dresden (Germany)

After the Dresden bombing[electronic resource] :pathways of memory, 1945 to the present /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:	940.542132142
タイトル / 著者:	After the Dresden bombing : pathways of memory, 1945 to the present // Anne Fuchs.
著者:	Fuchs, Anne.
出版された:	Basingstoke : : Palgrave Macmillan,, c2012.
記述:	1 online resource (xiii, 275 p.) : : ill.
注記:	Includes index.
主題:	Collective memory.
主題:	HISTORY / Military / World War II
主題:	Dresden (Germany) - History - Bombardment, 1945.
国際標準図書番号 (ISBN) :	9780230359529 (electronic bk.)
国際標準図書番号 (ISBN) :	0230359523 (electronic bk.)
[NT 15000228] null:	Acknowledgements -- Preface -- Introduction: The Destruction of Dresden and the Excess of the Real -- Visual Mediations: Dresden in Postwar Photography and Fine Art -- Architectural Interventions I: West and East German Postwar Debates -- Architectural Interventions II: Dresden's Altmarkt and the Topology of Power -- Literary Voices I: The Built Environment and Memoryscapes in Brigitte Reimann and Uwe Tellkamp -- Literary Voices II: War Memories in Kurt Vonnegut, Heinz Czechowski and Durs Grunbein -- Filmic Representations: Documenting Resentment, Grief and Forgiveness -- Conclusion -- Endnotes -- Works Cited -- Index.
[NT 15000229] null:	Together with Hiroshima and Nagasaki, Dresden belongs to a handful of global icons that capture the destructiveness of warfare in the twentieth century. Immediately recognisable, these icons are endowed with a powerful symbolism that cannot be explained with reference to historical cause and effect alone. This is precisely the terrain of this book, which�addresses the long aftermath of the bombing in the collective and cultural imagination from 1945 to the present. The material under discussion ranges from archival documents, architectural journals, the built environment, travelogues, newspaper articles, documentaries, TV dramas, fiction, diaries, poetry to photography and fine art. As a case study of an event that gained local, national and global iconicity in the postwar period, it illuminates the media-specific transmission of cultural memory in dialogue with the changing socio-political landscape. Debating fundamental processes of cultural transmission, it exemplifies a new mode of doing cultural history that interweaves the local and the global.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230359529

After the Dresden bombing[electronic resource] :pathways of memory, 1945 to the present /
Fuchs, Anne.

After the Dresden bombingpathways of memory, 1945 to the present /[electronic resource] :Anne Fuchs. - Basingstoke :Palgrave Macmillan,c2012. - 1 online resource (xiii, 275 p.) :ill.

Includes index.

Acknowledgements -- Preface -- Introduction: The Destruction of Dresden and the Excess of the Real -- Visual Mediations: Dresden in Postwar Photography and Fine Art -- Architectural Interventions I: West and East German Postwar Debates -- Architectural Interventions II: Dresden's Altmarkt and the Topology of Power -- Literary Voices I: The Built Environment and Memoryscapes in Brigitte Reimann and Uwe Tellkamp -- Literary Voices II: War Memories in Kurt Vonnegut, Heinz Czechowski and Durs Grunbein -- Filmic Representations: Documenting Resentment, Grief and Forgiveness -- Conclusion -- Endnotes -- Works Cited -- Index.

Together with Hiroshima and Nagasaki, Dresden belongs to a handful of global icons that capture the destructiveness of warfare in the twentieth century. Immediately recognisable, these icons are endowed with a powerful symbolism that cannot be explained with reference to historical cause and effect alone. This is precisely the terrain of this book, which�addresses the long aftermath of the bombing in the collective and cultural imagination from 1945 to the present. The material under discussion ranges from archival documents, architectural journals, the built environment, travelogues, newspaper articles, documentaries, TV dramas, fiction, diaries, poetry to photography and fine art. As a case study of an event that gained local, national and global iconicity in the postwar period, it illuminates the media-specific transmission of cultural memory in dialogue with the changing socio-political landscape. Debating fundamental processes of cultural transmission, it exemplifies a new mode of doing cultural history that interweaves the local and the global.

ISBN: 9780230359529 (electronic bk.)

Source: 489187Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

377292
Collective memory.
Subjects--Geographical Terms:

473190
Dresden (Germany)
--History--Bombardment, 1945.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: D757.9.D7 / F83 2012eb

Dewey Class. No.: 940.542132142

After the Dresden bombing[electronic resource] :pathways of memory, 1945 to the present /
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245 1 0 $a After the Dresden bombing $h [electronic resource] : $b pathways of memory, 1945 to the present / $c Anne Fuchs.
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300 $a 1 online resource (xiii, 275 p.) : $b ill.
500 $a Includes index.
505 0 $a Acknowledgements -- Preface -- Introduction: The Destruction of Dresden and the Excess of the Real -- Visual Mediations: Dresden in Postwar Photography and Fine Art -- Architectural Interventions I: West and East German Postwar Debates -- Architectural Interventions II: Dresden's Altmarkt and the Topology of Power -- Literary Voices I: The Built Environment and Memoryscapes in Brigitte Reimann and Uwe Tellkamp -- Literary Voices II: War Memories in Kurt Vonnegut, Heinz Czechowski and Durs Grunbein -- Filmic Representations: Documenting Resentment, Grief and Forgiveness -- Conclusion -- Endnotes -- Works Cited -- Index.
520 $a Together with Hiroshima and Nagasaki, Dresden belongs to a handful of global icons that capture the destructiveness of warfare in the twentieth century. Immediately recognisable, these icons are endowed with a powerful symbolism that cannot be explained with reference to historical cause and effect alone. This is precisely the terrain of this book, which�addresses the long aftermath of the bombing in the collective and cultural imagination from 1945 to the present. The material under discussion ranges from archival documents, architectural journals, the built environment, travelogues, newspaper articles, documentaries, TV dramas, fiction, diaries, poetry to photography and fine art. As a case study of an event that gained local, national and global iconicity in the postwar period, it illuminates the media-specific transmission of cultural memory in dialogue with the changing socio-political landscape. Debating fundamental processes of cultural transmission, it exemplifies a new mode of doing cultural history that interweaves the local and the global.
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650 7 $a HISTORY / Military / World War II $2 bisacsh $3 472652
651 0 $a Dresden (Germany) $x History $y Bombardment, 1945. $3 473190
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