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Visual peace :images, spectatorship,...

Möller, Frank, (1963-)

Visual peace :images, spectatorship, and the politics of violence /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:	700/.4552
タイトル / 著者:	Visual peace : : images, spectatorship, and the politics of violence // Frank Möller.
著者:	Möller, Frank,
記述:	1 online resource.
主題:	Documentary photography - Political aspects.
主題:	Violence in art.
主題:	Violence - Political aspects.
主題:	Visual communication - Political aspects.
主題:	ART / Art & Politics.
主題:	ART / Performance
主題:	ART / Reference
主題:	PHOTOGRAPHY / Photojournalism.
主題:	POLITICAL SCIENCE / International Relations / General.
主題:	POLITICAL SCIENCE / Peace.
国際標準図書番号 (ISBN) :	1137020407 (electronic bk.)
国際標準図書番号 (ISBN) :	9781137020406 (electronic bk.)
[NT 15000228] null:	Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
[NT 15000229] null:	"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137020406

Visual peace :images, spectatorship, and the politics of violence /
Möller, Frank,1963-

Visual peace :images, spectatorship, and the politics of violence /Frank Möller. - 1 online resource.

Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.

"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--

ISBN: 1137020407 (electronic bk.)Subjects--Topical Terms:

574999
Documentary photography
--Political aspects.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: HM1116 / .M655 2013

Dewey Class. No.: 700/.4552

Visual peace :images, spectatorship, and the politics of violence /
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003 OCoLC
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020 $a 1137020407 (electronic bk.)
020 $a 9781137020406 (electronic bk.)
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035 $a (OCoLC)862740680
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040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d YDXCP $d CDX $d N$T $d OCLCO
049 $a TEFA
050 4 $a HM1116 $b .M655 2013
072 7 $a ART $x 025000 $2 bisacsh
072 7 $a ART $x 060000 $2 bisacsh
082 0 4 $a 700/.4552 $2 23
100 1 $a Möller, Frank, $d 1963- $e author. $3 574998
245 1 0 $a Visual peace : $b images, spectatorship, and the politics of violence / $c Frank Möller.
264 1 $a Houndmills, Basingstoke, Hampshire ; $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
505 0 $a Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
520 $a "This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Documentary photography $x Political aspects. $3 574999
650 0 $a Violence in art. $3 224851
650 0 $a Violence $x Political aspects. $3 379236
650 0 $a Visual communication $x Political aspects. $3 575000
650 7 $a ART / Art & Politics. $2 bisacsh $3 575001
650 7 $a ART / Performance $2 bisacsh $3 478575
650 7 $a ART / Reference $2 bisacsh $3 478576
650 7 $a PHOTOGRAPHY / Photojournalism. $2 bisacsh $3 575002
650 7 $a POLITICAL SCIENCE / International Relations / General. $2 bisacsh $3 473518
650 7 $a POLITICAL SCIENCE / Peace. $2 bisacsh $3 473482
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Möller, Frank, 1963-, author. $t Visual peace $z 9781137020390 $w (DLC) 2013041783 $w (OCoLC)848162735
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137020406

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