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国際標準書誌記述(ISBD)
The end of dialogue in antiquity /
~
Goldhill, Simon,
The end of dialogue in antiquity /
レコード種別:
言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:
809/.926
タイトル / 著者:
The end of dialogue in antiquity // edited by Simon Goldhill.
その他の著者:
Goldhill, Simon,
記述:
1 online resource (viii, 266 pages) : : digital, PDF file(s).
注記:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
主題:
Dialectic.
主題:
Dialogue.
主題:
Philosophy, Ancient.
主題:
Church history.
主題:
Dialogue - Religious aspects.
国際標準図書番号 (ISBN) :
9780511575464 (ebook)
[NT 15000229] null:
'Dialogue' was invented as a written form in democratic Athens and made a celebrated and popular literary and philosophical style by Plato. Yet it almost completely disappeared in the Christian empire of late antiquity. This book, a general and systematic study of the genre in antiquity, asks: who wrote dialogues and why? Why did dialogue no longer attract writers in the later period in the same way? Investigating dialogue goes to the heart of the central issues of power, authority, openness and playfulness in changing cultural contexts. This book analyses the relationship between literary form and cultural authority in a new and exciting way, and encourages closer reflection about the purpose of dialogue in its wider social, cultural and religious contexts in today's world.
電子資源:
http://dx.doi.org/10.1017/CBO9780511575464
The end of dialogue in antiquity /
The end of dialogue in antiquity /
edited by Simon Goldhill. - 1 online resource (viii, 266 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction : why don't Christians do dialogue? /Simon Goldhill --
'Dialogue' was invented as a written form in democratic Athens and made a celebrated and popular literary and philosophical style by Plato. Yet it almost completely disappeared in the Christian empire of late antiquity. This book, a general and systematic study of the genre in antiquity, asks: who wrote dialogues and why? Why did dialogue no longer attract writers in the later period in the same way? Investigating dialogue goes to the heart of the central issues of power, authority, openness and playfulness in changing cultural contexts. This book analyses the relationship between literary form and cultural authority in a new and exciting way, and encourages closer reflection about the purpose of dialogue in its wider social, cultural and religious contexts in today's world.
ISBN: 9780511575464 (ebook)Subjects--Topical Terms:
415820
Dialectic.
LC Class. No.: B105.D48 / E53 2008
Dewey Class. No.: 809/.926
The end of dialogue in antiquity /
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Introduction : why don't Christians do dialogue? /
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Fictions of dialogue in Thucydides /
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Emily Greenwood --
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The beginnings of dialogue : Socratic discourses and fourth-century prose /
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Plato's dialogues and a common rationale for dialogue form /
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Ciceronian dialogue /
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Malcolm Schofield --
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Sympotic dialogue in the first to fifth centuries CE /
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Jason König --
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Can we talk? : Augustine and the possibility of dialogue /
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Gillian Clark --
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'Let's (not) talk about it' : Augustine and the control of epistolary dialogue /
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Richard Miles --
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Christians, dialogue and patterns of sociability in late antiquity /
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Richard Lim --
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Boethius, Gregory the Great and the Christian 'afterlife' of classical dialogue /
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Kate Cooper and Matthew Dal Santo --
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No dialogue at the symposium? : conviviality in Ben Sira and the Palestinian Talmud /
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Seth Schwartz --
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Dialectic and divination in the Talmud /
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Daniel Boyarin.
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'Dialogue' was invented as a written form in democratic Athens and made a celebrated and popular literary and philosophical style by Plato. Yet it almost completely disappeared in the Christian empire of late antiquity. This book, a general and systematic study of the genre in antiquity, asks: who wrote dialogues and why? Why did dialogue no longer attract writers in the later period in the same way? Investigating dialogue goes to the heart of the central issues of power, authority, openness and playfulness in changing cultural contexts. This book analyses the relationship between literary form and cultural authority in a new and exciting way, and encourages closer reflection about the purpose of dialogue in its wider social, cultural and religious contexts in today's world.
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http://dx.doi.org/10.1017/CBO9780511575464
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http://dx.doi.org/10.1017/CBO9780511575464
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