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The state of copyright :the complex ...

Halbert, Debora J.

The state of copyright :the complex relationships of cultural creation in a globalized world /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	346.0482
書名/作者:	The state of copyright : : the complex relationships of cultural creation in a globalized world // Debora J. Halbert.
作者:	Halbert, Debora J.
出版者:	Milton Park, Abingdon, Oxon : : Routledge,, 2014.
面頁冊數:	xiv, 267 pages ;; 25 cm.
標題:	Copyright - Social aspects.
標題:	Culture and law.
標題:	POLITICAL SCIENCE / General.
ISBN:	9780415857383 (hbk.)
ISBN:	9781315818627 (ebk.)
ISBN:	0415857384 (hbk.)
ISBN:	1315818620 (ebk.)
書目註:	Includes bibliographical references and index.
內容註:	Introduction : the state of culture -- American intellectual property hegemony -- Intellectual property piracy and the national security threat -- Property and the state : exporting authenticity and the territories of national cultures -- Exporting authenticity and the hybridity of culture: or, who's a pirate anyway? -- Critical copyright, cultural flows, traditional knowledge and the future -- Mass culture and the culture of the masses : a manifesto for user-generated rights -- Skipping through the desert of the real : copyright landscapes and the future of creativity.
摘要、提要註:	"This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary. By examining the multiple and competing interests in creating the legal regime of copyright law, this books attempts to map the political economy of copyright in the information age, critique the concentration of ownership that is intrinsic in the status quo, and provide an assessment of the state of the contemporary global copyright landscape and its futures. It draws upon the current narratives of copyright as produced by corporate, government, and political actors and frames these narratives as language games within a global political project to define how information and culture will be shared and exchanged in the future. The text problematizes the relationship of the state to culture, comments on the global flows of culture, and critiques the regulatory apparatus that is in place to commodify culture and align it with the contemporary nation-state. In the end, the possibility of non-commodified and more open futures are explored. The State of Copyright will be of particular interest for students and scholars of international political economy, law, political science, anthropology, sociology, cultural studies, library sciences, and communication studies. It also will appeal to a growing popular audience that has taken an interest in the issues of copyright. "--

The state of copyright :the complex relationships of cultural creation in a globalized world /
Halbert, Debora J.

The state of copyright :the complex relationships of cultural creation in a globalized world /Debora J. Halbert. - Milton Park, Abingdon, Oxon :Routledge,2014. - xiv, 267 pages ;25 cm. - RIPE series in global political economy ;38.. - RIPE series in global political economy ;38..

Includes bibliographical references and index.

Introduction : the state of culture -- American intellectual property hegemony -- Intellectual property piracy and the national security threat -- Property and the state : exporting authenticity and the territories of national cultures -- Exporting authenticity and the hybridity of culture: or, who's a pirate anyway? -- Critical copyright, cultural flows, traditional knowledge and the future -- Mass culture and the culture of the masses : a manifesto for user-generated rights -- Skipping through the desert of the real : copyright landscapes and the future of creativity.

"This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary. By examining the multiple and competing interests in creating the legal regime of copyright law, this books attempts to map the political economy of copyright in the information age, critique the concentration of ownership that is intrinsic in the status quo, and provide an assessment of the state of the contemporary global copyright landscape and its futures. It draws upon the current narratives of copyright as produced by corporate, government, and political actors and frames these narratives as language games within a global political project to define how information and culture will be shared and exchanged in the future. The text problematizes the relationship of the state to culture, comments on the global flows of culture, and critiques the regulatory apparatus that is in place to commodify culture and align it with the contemporary nation-state. In the end, the possibility of non-commodified and more open futures are explored. The State of Copyright will be of particular interest for students and scholars of international political economy, law, political science, anthropology, sociology, cultural studies, library sciences, and communication studies. It also will appeal to a growing popular audience that has taken an interest in the issues of copyright. "--

ISBN: 9780415857383 (hbk.)NTD 3,822

LCCN: 2013030111Subjects--Topical Terms:

597552
Copyright
--Social aspects.

LC Class. No.: K1420.5 / .H35 2014

Dewey Class. No.: 346.0482

The state of copyright :the complex relationships of cultural creation in a globalized world /
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520 # $a "This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary. By examining the multiple and competing interests in creating the legal regime of copyright law, this books attempts to map the political economy of copyright in the information age, critique the concentration of ownership that is intrinsic in the status quo, and provide an assessment of the state of the contemporary global copyright landscape and its futures. It draws upon the current narratives of copyright as produced by corporate, government, and political actors and frames these narratives as language games within a global political project to define how information and culture will be shared and exchanged in the future. The text problematizes the relationship of the state to culture, comments on the global flows of culture, and critiques the regulatory apparatus that is in place to commodify culture and align it with the contemporary nation-state. In the end, the possibility of non-commodified and more open futures are explored. The State of Copyright will be of particular interest for students and scholars of international political economy, law, political science, anthropology, sociology, cultural studies, library sciences, and communication studies. It also will appeal to a growing popular audience that has taken an interest in the issues of copyright. "-- $c Provided by publisher.
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