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American crime fiction[electronic re...

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American crime fiction[electronic resource] :a cultural history of Nobrow literature as art /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	813.087209
書名/作者:	American crime fiction : a cultural history of Nobrow literature as art // by Peter Swirski.
作者:	Swirski, Peter.
出版者:	Cham : : Springer International Publishing :, 2016.
面頁冊數:	xiii, 222 p. : : ill., digital ;; 22 cm.
Contained By:	Springer eBooks
標題:	Detective and mystery stories, American - History and criticism.
標題:	Literature.
標題:	Twentieth-Century Literature.
標題:	North American Literature.
標題:	Contemporary Literature.
ISBN:	9783319301082
ISBN:	9783319301075
內容註:	Nobrow: Contents and Discontents -- Briefcases for Hire: Dashiell Hammett and John Grisham -- Boilerplate Potboilers: William Faulkner and Ernest Hemingway -- The Not So Simple Art of Murder: Raymond Chandler -- The Urban Procedural: Ed McBain -- Take Two: Nelson DeMille and F. Scott Fitzgerald -- Bibliography.
摘要、提要註:	This book looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such it documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.
電子資源:	http://dx.doi.org/10.1007/978-3-319-30108-2

American crime fiction[electronic resource] :a cultural history of Nobrow literature as art /
Swirski, Peter.

American crime fictiona cultural history of Nobrow literature as art /[electronic resource] :by Peter Swirski. - Cham :Springer International Publishing :2016. - xiii, 222 p. :ill., digital ;22 cm.

Nobrow: Contents and Discontents -- Briefcases for Hire: Dashiell Hammett and John Grisham -- Boilerplate Potboilers: William Faulkner and Ernest Hemingway -- The Not So Simple Art of Murder: Raymond Chandler -- The Urban Procedural: Ed McBain -- Take Two: Nelson DeMille and F. Scott Fitzgerald -- Bibliography.

This book looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such it documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.

ISBN: 9783319301082

Standard No.: 10.1007/978-3-319-30108-2doiSubjects--Topical Terms:

374951
Detective and mystery stories, American
--History and criticism.

LC Class. No.: PS374.D4 / S95 2016

Dewey Class. No.: 813.087209

American crime fiction[electronic resource] :a cultural history of Nobrow literature as art /
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505 0 $a Nobrow: Contents and Discontents -- Briefcases for Hire: Dashiell Hammett and John Grisham -- Boilerplate Potboilers: William Faulkner and Ernest Hemingway -- The Not So Simple Art of Murder: Raymond Chandler -- The Urban Procedural: Ed McBain -- Take Two: Nelson DeMille and F. Scott Fitzgerald -- Bibliography.
520 $a This book looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such it documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.
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