語系:
繁體中文
English
日文
簡体中文
說明(常見問題)
登入
回首頁
到查詢結果
[ subject:"Color photography" ]
切換:
標籤
|
MARC模式
|
ISBD
Maxwell, Sutton, and the birth of co...
~
Cat, Jordi.
Maxwell, Sutton, and the birth of color photography[electronic resource] :a binocular study /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
778.6
書名/作者:
Maxwell, Sutton, and the birth of color photography : a binocular study // Jordi Cat.
作者:
Cat, Jordi.
出版者:
[S.l.] : : Palgrave Macmillan,, c2013
面頁冊數:
1 online resource (p.)
標題:
Color photography - History - 19th century.
標題:
PHOTOGRAPHY / Techniques / Color
ISBN:
9781137338310 (electronic bk.)
ISBN:
1137338318 (electronic bk.)
內容註:
1. Introduction: shared media, differing projects and projections -- 2. Enter Maxwell -- 3. Photographic illustrations -- 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific -- 5. Photography organized and scientific: from amateurs to professionals -- 6. Photography as instrument and profession: Art versus science -- 7. Photographic collaborations: two more cases -- 8. Maxwell's pictorial and photographic background -- 9. Methodology of experimental inaction -- 10. Enter Sutton -- 11. The place of collaboration and chemistry between men -- 12. Technologies of projection and color: Different problems and images. Color and truth. -- 13. A Tale of two experiments: From professional to cognitive autonomy -- 14. Photographic consequences -- 15. Conclusion.
摘要、提要註:
The 1861 collaboration between physicist James Clerk Maxwell and photographer Thomas Sutton was a landmark episode in the history of optics and photography, resulting in the famous "Tartan ribbon" image: the first permanent color photograph in history. This focused and incisive study from Maxwell scholar Jordi Cat reassesses this partnership, situating it within the histories of objectivity, experiment, and collaboration. Cat reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of Victorian technology, representational practices, and modes of participation in Maxwell's natural philosophy.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137338310
Maxwell, Sutton, and the birth of color photography[electronic resource] :a binocular study /
Cat, Jordi.
Maxwell, Sutton, and the birth of color photography
a binocular study /[electronic resource] :Jordi Cat. - [S.l.] :Palgrave Macmillan,c2013 - 1 online resource (p.)
1. Introduction: shared media, differing projects and projections -- 2. Enter Maxwell -- 3. Photographic illustrations -- 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific -- 5. Photography organized and scientific: from amateurs to professionals -- 6. Photography as instrument and profession: Art versus science -- 7. Photographic collaborations: two more cases -- 8. Maxwell's pictorial and photographic background -- 9. Methodology of experimental inaction -- 10. Enter Sutton -- 11. The place of collaboration and chemistry between men -- 12. Technologies of projection and color: Different problems and images. Color and truth. -- 13. A Tale of two experiments: From professional to cognitive autonomy -- 14. Photographic consequences -- 15. Conclusion.
The 1861 collaboration between physicist James Clerk Maxwell and photographer Thomas Sutton was a landmark episode in the history of optics and photography, resulting in the famous "Tartan ribbon" image: the first permanent color photograph in history. This focused and incisive study from Maxwell scholar Jordi Cat reassesses this partnership, situating it within the histories of objectivity, experiment, and collaboration. Cat reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of Victorian technology, representational practices, and modes of participation in Maxwell's natural philosophy.
ISBN: 9781137338310 (electronic bk.)
Source: 667743Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
550785
Maxwell, James Clerk,
1831-1879.Subjects--Topical Terms:
550787
Color photography
--History--19th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: TR510 / .C38 2013
Dewey Class. No.: 778.6
Maxwell, Sutton, and the birth of color photography[electronic resource] :a binocular study /
LDR
:02753cam 2200325Ka 4500
001
396252
003
OCoLC
005
20130913034526.0
006
m o d
007
cr cnu---unuuu
008
131202s2013 xx o 000 0 eng d
020
$a
9781137338310 (electronic bk.)
020
$a
1137338318 (electronic bk.)
029
1
$a
NLGGC
$b
363523693
035
$a
(OCoLC)853073285
035
$a
ocn853073285
037
$a
667743
$b
Palgrave Macmillan
$n
http://www.palgraveconnect.com
040
$a
UKPGM
$b
eng
$c
UKPGM
$d
N$T
$d
EBLCP
$d
E7B
$d
YDXCP
$d
NLGGC
049
$a
TEFA
050
4
$a
TR510
$b
.C38 2013
072
7
$a
PHO
$x
020000
$2
bisacsh
082
0 4
$a
778.6
$2
23
100
1
$a
Cat, Jordi.
$3
550784
245
1 0
$a
Maxwell, Sutton, and the birth of color photography
$h
[electronic resource] :
$b
a binocular study /
$c
Jordi Cat.
260
$a
[S.l.] :
$b
Palgrave Macmillan,
$c
c2013
300
$a
1 online resource (p.)
505
0
$a
1. Introduction: shared media, differing projects and projections -- 2. Enter Maxwell -- 3. Photographic illustrations -- 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific -- 5. Photography organized and scientific: from amateurs to professionals -- 6. Photography as instrument and profession: Art versus science -- 7. Photographic collaborations: two more cases -- 8. Maxwell's pictorial and photographic background -- 9. Methodology of experimental inaction -- 10. Enter Sutton -- 11. The place of collaboration and chemistry between men -- 12. Technologies of projection and color: Different problems and images. Color and truth. -- 13. A Tale of two experiments: From professional to cognitive autonomy -- 14. Photographic consequences -- 15. Conclusion.
520
$a
The 1861 collaboration between physicist James Clerk Maxwell and photographer Thomas Sutton was a landmark episode in the history of optics and photography, resulting in the famous "Tartan ribbon" image: the first permanent color photograph in history. This focused and incisive study from Maxwell scholar Jordi Cat reassesses this partnership, situating it within the histories of objectivity, experiment, and collaboration. Cat reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of Victorian technology, representational practices, and modes of participation in Maxwell's natural philosophy.
588
$a
Description based on online resource; title from title details screen (Palgrave Connect, viewed July 17, 2013).
600
1 0
$a
Maxwell, James Clerk,
$d
1831-1879.
$3
550785
600
1 0
$a
Sutton, Thomas,
$d
1818-1875.
$3
550786
650
0
$a
Color photography
$x
History
$y
19th century.
$3
550787
650
7
$a
PHOTOGRAPHY / Techniques / Color
$2
bisacsh
$3
550788
655
4
$a
Electronic books.
$2
local
$3
336502
776
0 8
$i
Print version:
$a
Cat, Jordi.
$t
Maxwell, sutton, and the birth of color photography.
$d
[S.l.] : Palgrave Macmillan, 2013
$z
113733830X
$w
(OCoLC)841599376
856
4 0
$3
Palgrave Connect
$u
http://www.palgraveconnect.com/doifinder/10.1057/9781137338310
994
$a
C0
$b
TEF
筆 0 讀者評論
多媒體
多媒體檔案
http://www.palgraveconnect.com/doifinder/10.1057/9781137338310
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入