大葉大學圖書館 |

Narrating the past through theatre[electronic resource] :four crucial texts /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809.2
書名/作者:	Narrating the past through theatre : four crucial texts // by Michael Y. Bennett.
作者:	Bennett, Michael Y.,
出版者:	Basingstoke : : Palgrave, 2012.
面頁冊數:	1 online resource (108 p.)
標題:	European drama - History and criticism. - 19th century
標題:	European drama - History and criticism. - 20th century
標題:	BIOGRAPHY & AUTOBIOGRAPHY / Literary
ISBN:	9781137275417 (Cloth)
ISBN:	1137275413 (Cloth)
ISBN:	9781283717427 (MyiLibrary)
ISBN:	1283717425 (MyiLibrary)
ISBN:	9781137275424 (electronic bk.)
ISBN:	1137275421 (electronic bk.)
書目註:	Bibl. ref. & index
內容註:	Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".
摘要、提要註:	This cutting-edge Palgrave Pivot title explores how narrating the past through theatre both conflicts and creates an interesting relationship with drama's continuing present that arcs towards an unpredictable future. Examining three influential historical adaptations that span the time frame of modern drama (from the 'first' modern play to the cusp of WWII) -- Georg Buchner's "Danton's Death", Oscar Wilde's "Salome", and Bertolt Brecht's "Life of Galileo" -- this book delves into modern drama's sense and perception of time and its effect upon both the present and the future. Theatre both brings the past alive and also fixes it, but through the performance process (i.e., through the choices the director and actors make), allowing the past to be molded for future (not-yet-existent) audiences. Translated to the stage, the tense of the past (in a historical adaptation), then, is always (in both the present and the future): both in its limitation to a strict time and place and in its timelessness.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137275424

Narrating the past through theatre[electronic resource] :four crucial texts /
Bennett, Michael Y.,1980-

Narrating the past through theatrefour crucial texts /[electronic resource] :by Michael Y. Bennett. - Basingstoke :Palgrave2012. - 1 online resource (108 p.)

Bibl. ref. & index

Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".

This cutting-edge Palgrave Pivot title explores how narrating the past through theatre both conflicts and creates an interesting relationship with drama's continuing present that arcs towards an unpredictable future. Examining three influential historical adaptations that span the time frame of modern drama (from the 'first' modern play to the cusp of WWII) -- Georg Buchner's "Danton's Death", Oscar Wilde's "Salome", and Bertolt Brecht's "Life of Galileo" -- this book delves into modern drama's sense and perception of time and its effect upon both the present and the future. Theatre both brings the past alive and also fixes it, but through the performance process (i.e., through the choices the director and actors make), allowing the past to be molded for future (not-yet-existent) audiences. Translated to the stage, the tense of the past (in a historical adaptation), then, is always (in both the present and the future): both in its limitation to a strict time and place and in its timelessness.

ISBN: 9781137275417 (Cloth)

Source: 402992MILSubjects--Personal Names:

526875
B�uchner, Georg,
1813-1837.English.Dantons Tod.Subjects--Topical Terms:

410715
European drama
--History and criticism.--19th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1872

Dewey Class. No.: 809.2

Narrating the past through theatre[electronic resource] :four crucial texts /
LDR:02849cam 2200445Ma 4500 001 388706
003 OCoLC
005 20130621115127.0
006 m o d
007 cr |n|||||||||
008 131001s2012 enk fo 000 0 eng d
019 $a 815958503
020 $a 9781137275417 (Cloth)
020 $a 1137275413 (Cloth)
020 $a 9781283717427 (MyiLibrary)
020 $a 1283717425 (MyiLibrary)
020 $a 9781137275424 (electronic bk.)
020 $a 1137275421 (electronic bk.)
035 $a (OCoLC)819378746 $z (OCoLC)815958503
035 $a ocn819378746
037 $a 402992 $b MIL
040 $a CDX $c CDX $d OCLCO $d UKPGM $d N$T $d EBLCP $d OCLCQ $d YDXCP $d OCLCO
049 $a TEFA
050 4 $a PN1872
072 7 $a LIT $2 eflch
072 7 $a BIO $x 007000 $2 bisacsh
082 0 4 $a 809.2 $2 23
100 1 $a Bennett, Michael Y., $d 1980- $3 478229
245 1 0 $a Narrating the past through theatre $h [electronic resource] : $b four crucial texts / $c by Michael Y. Bennett.
260 $a Basingstoke : $b Palgrave $c 2012.
300 $a 1 online resource (108 p.)
504 $a Bibl. ref. & index
505 0 $a Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".
520 $a This cutting-edge Palgrave Pivot title explores how narrating the past through theatre both conflicts and creates an interesting relationship with drama's continuing present that arcs towards an unpredictable future. Examining three influential historical adaptations that span the time frame of modern drama (from the 'first' modern play to the cusp of WWII) -- Georg Buchner's "Danton's Death", Oscar Wilde's "Salome", and Bertolt Brecht's "Life of Galileo" -- this book delves into modern drama's sense and perception of time and its effect upon both the present and the future. Theatre both brings the past alive and also fixes it, but through the performance process (i.e., through the choices the director and actors make), allowing the past to be molded for future (not-yet-existent) audiences. Translated to the stage, the tense of the past (in a historical adaptation), then, is always (in both the present and the future): both in its limitation to a strict time and place and in its timelessness.
588 $a Description based on print version record.
600 1 0 $a B�uchner, Georg, $d 1813-1837. $t Dantons Tod. $l English. $3 526875
600 1 0 $a Wilde, Oscar, $d 1854-1900. $t Importance of being earnest. $3 384508
600 1 0 $a Brecht, Bertolt, $d 1898-1956. $t Dreigroschenoper. $l English. $3 384516
650 0 $a European drama $y 19th century $x History and criticism. $3 410715
650 0 $a European drama $y 20th century $x History and criticism. $3 410714
650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Literary $2 bisacsh $3 472795
655 7 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $w ()9781137275417 $z 9781283717427
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137275424
938 $a Coutts Information Services $b COUT $n 24143512 $c 37.50 GBP
938 $a EBSCOhost $b EBSC $n 501018
938 $a EBL - Ebook Library $b EBLB $n EBL1051798
938 $a YBP Library Services $b YANK $n 9675229
994 $a C0 $b TEF