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The "femme" fatale in Brazilian cinema :challenging Hollywood norms /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	769.92
書名/作者:	The "femme" fatale in Brazilian cinema : : challenging Hollywood norms // by Antônio Márcio da Silva.
作者:	Silva, Antônio Márcio da,
面頁冊數:	1 online resource.
標題:	1900 - 1999
標題:	Femmes fatales in motion pictures.
標題:	Motion pictures - History - 20th century. - Brazil
標題:	Motion pictures.
標題:	Brazil.
ISBN:	113739921X (electronic bk.)
ISBN:	9781137399212 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	1. The Black Femme Fatale in "Xica da Silva" -- 2. The Femme Fatale's "Troubled" Gender in "Madame Sat" -- 3. Social Class and the Virgin/Whore Dichotomy in "Bonitinha mas ordiǹria" -- 4. The Fetish 'Dirt' as 'Social Pollution': The Married Femme Fatale in "A dama do lotȧ̂o" -- 5. The 'Abject' Lesbian Fatale in "As intimidades de Analu e Fernanda" -- 6. 'Quoting' the Film-Noir Femme Fatale in "A dama do Cine Shanghai".
摘要、提要註:	The femme fatale has long been constructed and understood in popular culture and cinema as a beautiful heterosexual Caucasian woman that belongs to film noir and neo-noir. Here, da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales. He examines how the Brazilian representations cross genre, gender, race, and class and offer alternative instances (black, slave, homosexual, married, and teenage) to the dominant Hollywood Caucasian model. As with gender performativity, the danger the femme fatale represents to society is constructed rather than being an innate feature. This figure represents areas of cultural anxiety, particularly around issues of sexuality and gender, but da Silva seeks to reframe these issues in the context of Brazilian film.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137399212

The "femme" fatale in Brazilian cinema :challenging Hollywood norms /
Silva, Antônio Márcio da,1980-

The "femme" fatale in Brazilian cinema :challenging Hollywood norms /by Antônio Márcio da Silva. - 1 online resource.

Includes bibliographical references and index.

1. The Black Femme Fatale in "Xica da Silva" -- 2. The Femme Fatale's "Troubled" Gender in "Madame Sat" -- 3. Social Class and the Virgin/Whore Dichotomy in "Bonitinha mas ordiǹria" -- 4. The Fetish 'Dirt' as 'Social Pollution': The Married Femme Fatale in "A dama do lotȧ̂o" -- 5. The 'Abject' Lesbian Fatale in "As intimidades de Analu e Fernanda" -- 6. 'Quoting' the Film-Noir Femme Fatale in "A dama do Cine Shanghai".

The femme fatale has long been constructed and understood in popular culture and cinema as a beautiful heterosexual Caucasian woman that belongs to film noir and neo-noir. Here, da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales. He examines how the Brazilian representations cross genre, gender, race, and class and offer alternative instances (black, slave, homosexual, married, and teenage) to the dominant Hollywood Caucasian model. As with gender performativity, the danger the femme fatale represents to society is constructed rather than being an innate feature. This figure represents areas of cultural anxiety, particularly around issues of sexuality and gender, but da Silva seeks to reframe these issues in the context of Brazilian film.

ISBN: 113739921X (electronic bk.)

Source: 746919Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

378802
Femmes fatales in motion pictures.
Subjects--Geographical Terms:

574418
Brazil.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.F44 / S55 2014

Dewey Class. No.: 769.92

The "femme" fatale in Brazilian cinema :challenging Hollywood norms /
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245 1 4 $a The "femme" fatale in Brazilian cinema : $b challenging Hollywood norms / $c by Antônio Márcio da Silva.
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504 $a Includes bibliographical references and index.
505 0 # $a 1. The Black Femme Fatale in "Xica da Silva" -- 2. The Femme Fatale's "Troubled" Gender in "Madame Sat" -- 3. Social Class and the Virgin/Whore Dichotomy in "Bonitinha mas ordiǹria" -- 4. The Fetish 'Dirt' as 'Social Pollution': The Married Femme Fatale in "A dama do lotȧ̂o" -- 5. The 'Abject' Lesbian Fatale in "As intimidades de Analu e Fernanda" -- 6. 'Quoting' the Film-Noir Femme Fatale in "A dama do Cine Shanghai".
520 # $a The femme fatale has long been constructed and understood in popular culture and cinema as a beautiful heterosexual Caucasian woman that belongs to film noir and neo-noir. Here, da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales. He examines how the Brazilian representations cross genre, gender, race, and class and offer alternative instances (black, slave, homosexual, married, and teenage) to the dominant Hollywood Caucasian model. As with gender performativity, the danger the femme fatale represents to society is constructed rather than being an innate feature. This figure represents areas of cultural anxiety, particularly around issues of sexuality and gender, but da Silva seeks to reframe these issues in the context of Brazilian film.
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856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137399212