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Samuel Beckett and the philosophical...

Beckett, Samuel, (1906-1989)

Samuel Beckett and the philosophical image /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	828.91209
書名/作者:	Samuel Beckett and the philosophical image // Anthony Uhlmann.
其他題名:	Samuel Beckett & the Philosophical Image
作者:	Uhlmann, Anthony,
面頁冊數:	1 online resource (viii, 191 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Image (Philosophy)
ISBN:	9780511485404 (ebook)
內容註:	Representation and presentation : Deleuze, Bergson, Peirce and 'the image' -- Beckett's aesthetic writings and 'the image' -- Relation and nonrelation -- The philosophical imaginary -- Cogito nescio -- Beckett, Berkeley, Bergson, film : the intuition image -- The ancient Stoics and the ontological image.
摘要、提要註:	Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.
電子資源:	http://dx.doi.org/10.1017/CBO9780511485404

Samuel Beckett and the philosophical image /
Uhlmann, Anthony,

Samuel Beckett and the philosophical image /Samuel Beckett & the Philosophical ImageAnthony Uhlmann. - 1 online resource (viii, 191 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Representation and presentation : Deleuze, Bergson, Peirce and 'the image' -- Beckett's aesthetic writings and 'the image' -- Relation and nonrelation -- The philosophical imaginary -- Cogito nescio -- Beckett, Berkeley, Bergson, film : the intuition image -- The ancient Stoics and the ontological image.

Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.

ISBN: 9780511485404 (ebook)Subjects--Personal Names:

370745
Beckett, Samuel,
1906-1989--Criticism and interpretation.Subjects--Topical Terms:

376163
Image (Philosophy)

LC Class. No.: PR6003.E282 / Z864 2006

Dewey Class. No.: 828.91209

Samuel Beckett and the philosophical image /
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520 $a Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.
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