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Speech and performance in Shakespear...

Schalkwyk, David,

Speech and performance in Shakespeare's sonnets and plays /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822.3/3
書名/作者:	Speech and performance in Shakespeare's sonnets and plays // David Schalkwyk.
其他題名:	Speech & Performance in Shakespeare's Sonnets & Plays
作者:	Schalkwyk, David,
面頁冊數:	1 online resource (ix, 262 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Sonnets, English - History and criticism.
標題:	Autobiography in literature.
標題:	Speech in literature.
ISBN:	9780511483943 (ebook)
內容註:	Introduction : the sonnets -- Performatives : the sonnets, Antony and Cleopatra and As you like it -- Embodiment : the sonnets, Love's labour's lost, Romeo and Juliet and Twelfth Night -- Interiority : the sonnets, Hamlet and King Lear -- Names : the sonnets, Romeo and Juliet, Troilus and Cressida and Othello -- Transformations : the sonnets and All's well that ends well.
摘要、提要註:	David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets.
電子資源:	http://dx.doi.org/10.1017/CBO9780511483943

Speech and performance in Shakespeare's sonnets and plays /
Schalkwyk, David,

Speech and performance in Shakespeare's sonnets and plays /Speech & Performance in Shakespeare's Sonnets & PlaysDavid Schalkwyk. - 1 online resource (ix, 262 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction : the sonnets -- Performatives : the sonnets, Antony and Cleopatra and As you like it -- Embodiment : the sonnets, Love's labour's lost, Romeo and Juliet and Twelfth Night -- Interiority : the sonnets, Hamlet and King Lear -- Names : the sonnets, Romeo and Juliet, Troilus and Cressida and Othello -- Transformations : the sonnets and All's well that ends well.

David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets.

ISBN: 9780511483943 (ebook)Subjects--Personal Names:

373418
Shakespeare, William,
1564-1616.As you like it.Subjects--Topical Terms:

373071
Sonnets, English
--History and criticism.

LC Class. No.: PR2848 / .S37 2002

Dewey Class. No.: 822.3/3

Speech and performance in Shakespeare's sonnets and plays /
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505 0 $a Introduction : the sonnets -- Performatives : the sonnets, Antony and Cleopatra and As you like it -- Embodiment : the sonnets, Love's labour's lost, Romeo and Juliet and Twelfth Night -- Interiority : the sonnets, Hamlet and King Lear -- Names : the sonnets, Romeo and Juliet, Troilus and Cressida and Othello -- Transformations : the sonnets and All's well that ends well.
520 $a David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets.
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650 0 $a Autobiography in literature. $3 436972
650 0 $a Speech in literature. $3 390100
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856 4 0 $u http://dx.doi.org/10.1017/CBO9780511483943

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