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[ subject:"Artaud, Antonin," ]
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Artaud and his doubles[electronic re...
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Artaud, Antonin, (1896-1948)
Artaud and his doubles[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
848/.91209
書名/作者:
Artaud and his doubles/ Kimberly Jannarone.
作者:
Jannarone, Kimberly.
出版者:
Ann Arbor, Mich. : : University of Michigan Press,, c2010
面頁冊數:
1 online resource (xiv, 253 p).
附註:
Issued as part of UPCC book collections on Project MUSE.
標題:
Cruelty in literature.
標題:
Drama - History and criticism
標題:
Experimental theater - History - 20th century. - France
ISBN:
9780472027941 (electronic bk.)
ISBN:
9780472035151 (pbk.)
書目註:
Includes bibliographical references (p. 233-241) and index.
內容註:
The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
摘要、提要註:
This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
電子資源:
Full text available:
Artaud and his doubles[electronic resource] /
Jannarone, Kimberly.
Artaud and his doubles
[electronic resource] /Kimberly Jannarone. - Ann Arbor, Mich. :University of Michigan Press,c2010 - 1 online resource (xiv, 253 p). - Theater: theory/text/performance. - Theater--theory/text/performance..
Issued as part of UPCC book collections on Project MUSE.
Includes bibliographical references (p. 233-241) and index.
The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
ISBN: 9780472027941 (electronic bk.)Subjects--Personal Names:
543089
Artaud, Antonin,
1896-1948--KnowledgeSubjects--Topical Terms:
543090
Cruelty in literature.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PQ2601.R677 / Z685 2010
Dewey Class. No.: 848/.91209
Artaud and his doubles[electronic resource] /
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The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
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This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
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http://muse.jhu.edu/books/9780472027941/
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