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Artaud and his doubles[electronic re...
Artaud, Antonin, (1896-1948)

 

  • Artaud and his doubles[electronic resource] /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 848/.91209
    書名/作者: Artaud and his doubles/ Kimberly Jannarone.
    作者: Jannarone, Kimberly.
    出版者: Ann Arbor, Mich. : : University of Michigan Press,, c2010
    面頁冊數: 1 online resource (xiv, 253 p).
    附註: Issued as part of UPCC book collections on Project MUSE.
    標題: Cruelty in literature.
    標題: Drama - History and criticism
    標題: Experimental theater - History - 20th century. - France
    ISBN: 9780472027941 (electronic bk.)
    ISBN: 9780472035151 (pbk.)
    書目註: Includes bibliographical references (p. 233-241) and index.
    內容註: The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
    摘要、提要註: This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
    電子資源: Full text available:
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