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The art of modern China /
~
Andrews, Julia Frances.
The art of modern China /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
700.4112
書名/作者:
The art of modern China // Julia F. Andrews and Kuiyi Shen.
作者:
Andrews, Julia Frances.
其他作者:
Shen, Kuiyi,
出版者:
Berkeley, Calif. : : University of California Press,, c2012.
面頁冊數:
xv, 364 p. : : ill., map ;; 29 cm.
標題:
Art, Chinese.
標題:
Art, Modern - 20th century.
ISBN:
9780520238145 (hbk.) :
ISBN:
0520238141 (hbk.)
ISBN:
9780520271067 (pbk.)
ISBN:
0520271068 (pbk.)
書目註:
Includes bibliographical references (p. 327-353) and index.
內容註:
Introduction -- Chinese art in the Age of Imperialism: the Opium War to the Treaty of Shimonoseki, 1842-1895 -- Art in the creation of the new nation: The overthrow of the Qing and the Early Republic, 1895-1920 -- Art in the new culture of the 1920s -- Modern art in the 1930s -- The Golden Age of Guohua in the 1930s -- Art in wartime, 1937-1949 -- Western-style art under Mao, 1949-1966 -- Ink painting, Lianhuanhua, an woodcuts under Mao, 1949-1966 -- Art of the Great Proletarian Cultural Revolution, 1966-1976 -- Art after Mao, 1976-1989 -- Alternative Chinas: Hong Kong and Taiwan -- No u-turn: Chinese art after 1989 -- The New Milennium, and the Chinese Century?
摘要、提要註:
In the early twenty-first century, China occupies a place on center stage in the international art world. But what does it mean to be a Chinese artist in the modern age? This comprehensive study of modern Chinese art history traces its evolution chronologically and thematically from the age of Imperialism to the present day. Julia Andrews and Kuiyi Shen pay particular attention to the dynamic tension between modernity and tradition, as well as the interplay of global cosmopolitanism and cultural nationalism.
The art of modern China /
Andrews, Julia Frances.
The art of modern China /
Julia F. Andrews and Kuiyi Shen. - Berkeley, Calif. :University of California Press,c2012. - xv, 364 p. :ill., map ;29 cm.
Includes bibliographical references (p. 327-353) and index.
Introduction -- Chinese art in the Age of Imperialism: the Opium War to the Treaty of Shimonoseki, 1842-1895 -- Art in the creation of the new nation: The overthrow of the Qing and the Early Republic, 1895-1920 -- Art in the new culture of the 1920s -- Modern art in the 1930s -- The Golden Age of Guohua in the 1930s -- Art in wartime, 1937-1949 -- Western-style art under Mao, 1949-1966 -- Ink painting, Lianhuanhua, an woodcuts under Mao, 1949-1966 -- Art of the Great Proletarian Cultural Revolution, 1966-1976 -- Art after Mao, 1976-1989 -- Alternative Chinas: Hong Kong and Taiwan -- No u-turn: Chinese art after 1989 -- The New Milennium, and the Chinese Century?
In the early twenty-first century, China occupies a place on center stage in the international art world. But what does it mean to be a Chinese artist in the modern age? This comprehensive study of modern Chinese art history traces its evolution chronologically and thematically from the age of Imperialism to the present day. Julia Andrews and Kuiyi Shen pay particular attention to the dynamic tension between modernity and tradition, as well as the interplay of global cosmopolitanism and cultural nationalism.
ISBN: 9780520238145 (hbk.) :NTD 2,360Subjects--Topical Terms:
503121
Art, Chinese.
LC Class. No.: N7345 / .A535 2012
Dewey Class. No.: 700.4112
The art of modern China /
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Introduction -- Chinese art in the Age of Imperialism: the Opium War to the Treaty of Shimonoseki, 1842-1895 -- Art in the creation of the new nation: The overthrow of the Qing and the Early Republic, 1895-1920 -- Art in the new culture of the 1920s -- Modern art in the 1930s -- The Golden Age of Guohua in the 1930s -- Art in wartime, 1937-1949 -- Western-style art under Mao, 1949-1966 -- Ink painting, Lianhuanhua, an woodcuts under Mao, 1949-1966 -- Art of the Great Proletarian Cultural Revolution, 1966-1976 -- Art after Mao, 1976-1989 -- Alternative Chinas: Hong Kong and Taiwan -- No u-turn: Chinese art after 1989 -- The New Milennium, and the Chinese Century?
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In the early twenty-first century, China occupies a place on center stage in the international art world. But what does it mean to be a Chinese artist in the modern age? This comprehensive study of modern Chinese art history traces its evolution chronologically and thematically from the age of Imperialism to the present day. Julia Andrews and Kuiyi Shen pay particular attention to the dynamic tension between modernity and tradition, as well as the interplay of global cosmopolitanism and cultural nationalism.
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