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Cross-cultural visions in African Am...
~
Hakutani, Yoshinobu, (1935-)
Cross-cultural visions in African American literature[electronic resource] :West meets East /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
810.9/896073
書名/作者:
Cross-cultural visions in African American literature : West meets East // edited by Yoshinobu Hakutani.
其他作者:
Hakutani, Yoshinobu,
出版者:
New York : : Palgrave Macmillan,, 2011.
面頁冊數:
1 online resource (xxviii, 214 p.)
標題:
American literature - African American authors
標題:
Cultural fusion in literature.
標題:
East and West in literature.
標題:
African Americans - Intellectual life.
標題:
LITERARY CRITICISM - American
ISBN:
9780230119123 (electronic bk.)
ISBN:
0230119123 (electronic bk.)
ISBN:
9780230113411 (hardback)
ISBN:
0230113419 (hardback)
書目註:
Includes bibliographical references and index.
內容註:
Part I:� Essays on Poetry * Richard Wright's Haiku, Zen, and the African -- Yoshinobu Hakutani * Richard Wright's Haiku, Japanese Poetics, and Classical Chinese Poetry -- Jianqing Zheng * Wordsworthian Nature Poetry, Ashanti Culture, and Richard Wright's Haiku: This Other World -- Peter Landino * Cross-Cultural Poetics: Sonia Sanchez's Like the Singing Coming Off the Drums -- Yoshinobu Hakutani * Jean Toomer Revisited in James Emanuel's Post-Modernist Jazz Haiku -- Whatley Smith * Part II:� Essays on Ideology * The Western and Eastern Thoughts of Ralph Ellison's Invisible Man -- Yoshinobu Hakutani * West, East, Africa: Richard Wright's Native Son and Classic Movie Monsters -- Mera Moore * Ishmael Reed's Mumbo Jumbo through Confucianism -- Yupei Zhou * "A Beautiful Black Butterfly": Eastern Aesthetics and Postmodernism in Ishmael Reed's Japanese by Spring -- Preston Park Cooper * "All Narratives Are Lies, Man, an Illusion": Buddhism and Postmodernism versus Racism in Charles Johnson's Middle Passage and Dreamer -- Preston Park Cooper.
摘要、提要註:
The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku. Richard Wright wrote over four thousand haiku, Alice Walker's work reflects her affinity for Zen philosophy, and Ishmael Reed's work includes a discussion of Eastern thought. Here, esteemed contributors investigate the impact of Eastern philosophy and religion on African American writers from Richard Wright to Ralph Ellison to Ishmael Reed and Charles Johnson, offering a fresh field of literary inquiry.
電子資源:
An electronic book accessible through the World Wide Web; click for information
Cross-cultural visions in African American literature[electronic resource] :West meets East /
Cross-cultural visions in African American literature
West meets East /[electronic resource] :edited by Yoshinobu Hakutani. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (xxviii, 214 p.)
Includes bibliographical references and index.
Part I:� Essays on Poetry * Richard Wright's Haiku, Zen, and the African -- Yoshinobu Hakutani * Richard Wright's Haiku, Japanese Poetics, and Classical Chinese Poetry -- Jianqing Zheng * Wordsworthian Nature Poetry, Ashanti Culture, and Richard Wright's Haiku: This Other World -- Peter Landino * Cross-Cultural Poetics: Sonia Sanchez's Like the Singing Coming Off the Drums -- Yoshinobu Hakutani * Jean Toomer Revisited in James Emanuel's Post-Modernist Jazz Haiku -- Whatley Smith * Part II:� Essays on Ideology * The Western and Eastern Thoughts of Ralph Ellison's Invisible Man -- Yoshinobu Hakutani * West, East, Africa: Richard Wright's Native Son and Classic Movie Monsters -- Mera Moore * Ishmael Reed's Mumbo Jumbo through Confucianism -- Yupei Zhou * "A Beautiful Black Butterfly": Eastern Aesthetics and Postmodernism in Ishmael Reed's Japanese by Spring -- Preston Park Cooper * "All Narratives Are Lies, Man, an Illusion": Buddhism and Postmodernism versus Racism in Charles Johnson's Middle Passage and Dreamer -- Preston Park Cooper.
The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku. Richard Wright wrote over four thousand haiku, Alice Walker's work reflects her affinity for Zen philosophy, and Ishmael Reed's work includes a discussion of Eastern thought. Here, esteemed contributors investigate the impact of Eastern philosophy and religion on African American writers from Richard Wright to Ralph Ellison to Ishmael Reed and Charles Johnson, offering a fresh field of literary inquiry.
ISBN: 9780230119123 (electronic bk.)
Standard No.: 9786613209696
Source: 525959Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
350359
American literature
--African American authorsIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PS153.N5 / C79 2011
Dewey Class. No.: 810.9/896073
Cross-cultural visions in African American literature[electronic resource] :West meets East /
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Part I:� Essays on Poetry * Richard Wright's Haiku, Zen, and the African -- Yoshinobu Hakutani * Richard Wright's Haiku, Japanese Poetics, and Classical Chinese Poetry -- Jianqing Zheng * Wordsworthian Nature Poetry, Ashanti Culture, and Richard Wright's Haiku: This Other World -- Peter Landino * Cross-Cultural Poetics: Sonia Sanchez's Like the Singing Coming Off the Drums -- Yoshinobu Hakutani * Jean Toomer Revisited in James Emanuel's Post-Modernist Jazz Haiku -- Whatley Smith * Part II:� Essays on Ideology * The Western and Eastern Thoughts of Ralph Ellison's Invisible Man -- Yoshinobu Hakutani * West, East, Africa: Richard Wright's Native Son and Classic Movie Monsters -- Mera Moore * Ishmael Reed's Mumbo Jumbo through Confucianism -- Yupei Zhou * "A Beautiful Black Butterfly": Eastern Aesthetics and Postmodernism in Ishmael Reed's Japanese by Spring -- Preston Park Cooper * "All Narratives Are Lies, Man, an Illusion": Buddhism and Postmodernism versus Racism in Charles Johnson's Middle Passage and Dreamer -- Preston Park Cooper.
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