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Ivory and the aesthetics of modernit...

Chaiklin, Martha, (1960-)

Ivory and the aesthetics of modernity in Meiji Japan[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	736.620952
書名/作者:	Ivory and the aesthetics of modernity in Meiji Japan/ Martha Chaiklin.
作者:	Chaiklin, Martha,
出版者:	Basingstoke : : Palgrave Pivot :, 2014.
面頁冊數:	112 p. : : 22 b&w, ill., 5.
附註:	Electronic book text.
標題:	Aesthetics, Japanese - 19th century.
標題:	Art and society - History - 19th century - Japan.
標題:	Ivory carving - Japan.
標題:	History.
標題:	Social & cultural history - c 1800 to c 1900 - Japan.
ISBN:	1137363339 (electronic bk.) :
ISBN:	9781137363329
ISBN:	9781137363336 (electronic bk.) :
內容註:	Preface 1. Art, Ivory and the Meiji Period: An Introduction 2. The Curiosity Shop: The Forces of Capitalism 3. Transformations of the Craftsman 4. Individualism, Orthodoxy and the Evolution of Ivory Carving as Sculpture 5. Ivory after Meiji: A Conclusion.
摘要、提要註:	The opening of the ports of Japan in 1859 brought a flood of Japanese craft products to the world marketplace. For ivory it was a golden age. This book examines the role that ivory and ivory carvers played in the expression of nationalism and the development of sculpture in the later nineteenth and early twentieth century.
電子資源:	Online journal 'available contents' page

Ivory and the aesthetics of modernity in Meiji Japan[electronic resource] /
Chaiklin, Martha,1960-

Ivory and the aesthetics of modernity in Meiji Japan[electronic resource] /Martha Chaiklin. - 1st ed. - Basingstoke :Palgrave Pivot :2014. - 112 p. :22 b&w, ill., 5.

Electronic book text.

Preface 1. Art, Ivory and the Meiji Period: An Introduction 2. The Curiosity Shop: The Forces of Capitalism 3. Transformations of the Craftsman 4. Individualism, Orthodoxy and the Evolution of Ivory Carving as Sculpture 5. Ivory after Meiji: A Conclusion.

Document

The opening of the ports of Japan in 1859 brought a flood of Japanese craft products to the world marketplace. For ivory it was a golden age. This book examines the role that ivory and ivory carvers played in the expression of nationalism and the development of sculpture in the later nineteenth and early twentieth century.When is a statue not a statue? When it is made of ivory. Then it is called an okimono, a term that suggests it is a curio but not art. The international interest in Japanese craft production after the opening of the ports in 1859 led to an explosion of ivory carving, everything from netsuke to entire tusks. Arguing that purchase by tourists does not inherently define the quality of an object, this book examines the efforts of the retailers and artisans to elevate the standard of the craft. Ivory carvers were not just bystanders to the changing demands of the art world, they were leaders in shaping the development of sculpture in Meiji Japan.

PDF.

Martha Chaiklin is a scholar of Japan, the East India Companies and material culture. She is the author of Cultural Commerce and Dutch Commercial Culture: The Influence of European Material Culture on Japan (2003), translator and annotator of A Pioneer in Yokohama (2012) and numerous shorter works.

ISBN: 1137363339 (electronic bk.) :£30.00Subjects--Topical Terms:

579334
Aesthetics, Japanese
--19th century.

LC Class. No.: NK5984.A1 / C49 2014

Dewey Class. No.: 736.620952

Ivory and the aesthetics of modernity in Meiji Japan[electronic resource] /
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505 0 $a Preface 1. Art, Ivory and the Meiji Period: An Introduction 2. The Curiosity Shop: The Forces of Capitalism 3. Transformations of the Craftsman 4. Individualism, Orthodoxy and the Evolution of Ivory Carving as Sculpture 5. Ivory after Meiji: A Conclusion.
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520 $a The opening of the ports of Japan in 1859 brought a flood of Japanese craft products to the world marketplace. For ivory it was a golden age. This book examines the role that ivory and ivory carvers played in the expression of nationalism and the development of sculpture in the later nineteenth and early twentieth century. $b When is a statue not a statue? When it is made of ivory. Then it is called an okimono, a term that suggests it is a curio but not art. The international interest in Japanese craft production after the opening of the ports in 1859 led to an explosion of ivory carving, everything from netsuke to entire tusks. Arguing that purchase by tourists does not inherently define the quality of an object, this book examines the efforts of the retailers and artisans to elevate the standard of the craft. Ivory carvers were not just bystanders to the changing demands of the art world, they were leaders in shaping the development of sculpture in Meiji Japan.
538 $a PDF.
545 0 $a Martha Chaiklin is a scholar of Japan, the East India Companies and material culture. She is the author of Cultural Commerce and Dutch Commercial Culture: The Influence of European Material Culture on Japan (2003), translator and annotator of A Pioneer in Yokohama (2012) and numerous shorter works.
650 0 $a Aesthetics, Japanese $y 19th century. $3 579334
650 0 $a Art and society $x History $y 19th century $z Japan. $3 579335
650 0 $a Ivory carving $z Japan. $3 579336
650 7 $a History. $3 349095
650 7 $a Social & cultural history $y c 1800 to c 1900 $y c 1900 - c 1914 $z Japan. $2 bicssc $3 579337
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