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Abjection and representation[electronic resource] :an exploration of abjection in the visual arts, film and literature /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809.93353
書名/作者:	Abjection and representation : an exploration of abjection in the visual arts, film and literature // Rina Arya.
作者:	Arya, Rina.
出版者:	Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:	248 p.
附註:	Electronic book text.
標題:	Abjection in literature.
標題:	Abjection in motion pictures.
標題:	Art.
標題:	Art and Design.
標題:	Literary theory.
標題:	The arts: general issues.
ISBN:	0230389341 (electronic bk.) :
ISBN:	9780230389335
ISBN:	9780230389342 (electronic bk.) :
內容註:	Contents Preface Introduction 1. Unpacking Abjection 2. A Cultural History of Abjection 3. Recovering the Sacred: The Abject Body 4. Abjection in the Visual Arts 5. The Formless 6. Abjection and Film 7. Abjection in Literature Concluding Remarks.
摘要、提要註:	Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
電子資源:	Online journal 'available contents' page

Abjection and representation[electronic resource] :an exploration of abjection in the visual arts, film and literature /
Arya, Rina.

Abjection and representationan exploration of abjection in the visual arts, film and literature /[electronic resource] :Rina Arya. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 248 p.

Electronic book text.

Contents Preface Introduction 1. Unpacking Abjection 2. A Cultural History of Abjection 3. Recovering the Sacred: The Abject Body 4. Abjection in the Visual Arts 5. The Formless 6. Abjection and Film 7. Abjection in Literature Concluding Remarks.

Document

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields, including the visual arts, film and literature. Rina Arya provides an accessible, systematic and interdisciplinary exposition of abjection in psychoanalysis, the role that it occupies in society and its resonance in different cultural fields. Drawing on the work of Georges Bataille, Mary Douglas and other theorists, the book explores the significance and continuing development of abjection as a cultural code that is of interest to contemporary artists, writers and film theorists. It promotes rigour, intelligibility and cross-disciplinary understanding.

PDF.

Rina Arya is Reader at the University of Wolverhampton, UK. Her areas of expertise include art theory and post-war art, and she has written extensively on Francis Bacon and Georges Bataille. Previously published works include Francis Bacon: Painting in a Godless World (2012), which was long-listed for the William M. B. Berger Prize for British Art History, Contemplations of the Spiritual in Art (2013) and Abject Visions: Powers of Horror in Art and Visual Culture (co-edited with Nicholas Chare; 2015).

ISBN: 0230389341 (electronic bk.) :£50.00Subjects--Personal Names:

578097
Kristeva, Julia,
1941-Powers of HorrorSubjects--Topical Terms:

372603
Abjection in literature.

LC Class. No.: PN56

Dewey Class. No.: 809.93353

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520 $a Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category. $b Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields, including the visual arts, film and literature. Rina Arya provides an accessible, systematic and interdisciplinary exposition of abjection in psychoanalysis, the role that it occupies in society and its resonance in different cultural fields. Drawing on the work of Georges Bataille, Mary Douglas and other theorists, the book explores the significance and continuing development of abjection as a cultural code that is of interest to contemporary artists, writers and film theorists. It promotes rigour, intelligibility and cross-disciplinary understanding.
520 1 $a Rina Arya's Abjection and Representation is a clearly written and accessible introductory guide to our various social, political, psychic, corporeal, and aesthetic 'adventures of abjection' in contemporary theory, art, literature, and film. The book is long-needed and effectively has no peers.' - Calvin Thomas, Georgia State University, USA 'The theme of abjection involves necessarily close attention to the work of Georges Bataille and Julia Kristeva. It begins in our human experience of the body in all its complexity, involving a profound sense of the sacred and the dark depths of psychoanalysis in Kristeva's writings. At the same time, the relationship between experience and the theoretical is central to Arya's work. She covers the fields of art, film and literature with equal ease and leaves us profoundly in her debt. This is a mature, articulate book that traverses difficult terrain for the reader who will find the author a sure and invaluable guide.' - David Jasper, University of Glasgow and Renmin University of China, Beijing.
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545 0 $a Rina Arya is Reader at the University of Wolverhampton, UK. Her areas of expertise include art theory and post-war art, and she has written extensively on Francis Bacon and Georges Bataille. Previously published works include Francis Bacon: Painting in a Godless World (2012), which was long-listed for the William M. B. Berger Prize for British Art History, Contemplations of the Spiritual in Art (2013) and Abject Visions: Powers of Horror in Art and Visual Culture (co-edited with Nicholas Chare; 2015).
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