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The symbolic, the sublime, and Slavo...

Flisfeder, Matthew, (1980-)

The symbolic, the sublime, and Slavoj �Zi�zek's theory of film[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4301
書名/作者:	The symbolic, the sublime, and Slavoj �Zi�zek's theory of film/ Matthew Flisfeder.
作者:	Flisfeder, Matthew,
出版者:	New York : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource (195 p.) : : ill.
標題:	Motion pictures - Philosophy.
ISBN:	9781137110749 (electronic bk.)
ISBN:	1137110740 (electronic bk.)
書目註:	Includes bibliographical references (p. [169]-190) and index.
內容註:	From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
摘要、提要註:	Slavoj �Zi�zek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj �Zi�zek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj �Zi�zek has his own theory of film. This book argues that Slavoj �Zi�zek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj �Zi�zek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
電子資源:	An electronic book accessible through the World Wide Web; click for information

The symbolic, the sublime, and Slavoj �Zi�zek's theory of film[electronic resource] /
Flisfeder, Matthew,1980-

The symbolic, the sublime, and Slavoj �Zi�zek's theory of film[electronic resource] /Matthew Flisfeder. - New York :Palgrave Macmillan,2012. - 1 online resource (195 p.) :ill.

Includes bibliographical references (p. [169]-190) and index.

From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.

Slavoj �Zi�zek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj �Zi�zek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj �Zi�zek has his own theory of film. This book argues that Slavoj �Zi�zek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj �Zi�zek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

ISBN: 9781137110749 (electronic bk.)

Source: 612123Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

526542
�Zi�zek, Slavoj
--Criticism and interpretation.Subjects--Topical Terms:

379679
Motion pictures
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995 / .F565 2012

Dewey Class. No.: 791.4301

The symbolic, the sublime, and Slavoj �Zi�zek's theory of film[electronic resource] /
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245 1 4 $a The symbolic, the sublime, and Slavoj �Zi�zek's theory of film $h [electronic resource] / $c Matthew Flisfeder.
260 $a New York : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource (195 p.) : $b ill.
504 $a Includes bibliographical references (p. [169]-190) and index.
505 0 $a From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
520 $a Slavoj �Zi�zek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj �Zi�zek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj �Zi�zek has his own theory of film. This book argues that Slavoj �Zi�zek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj �Zi�zek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
588 $a Description based on print version record.
600 1 0 $a �Zi�zek, Slavoj $x Criticism and interpretation. $3 526542
650 0 $a Motion pictures $x Philosophy. $3 379679
655 7 $a Electronic books. $2 local $3 336502
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776 0 8 $i Print version: $a Flisfeder, Matthew, 1980- $t Symbolic, the sublime, and Slavoj �Zi�zek's theory of film. $d New York : Palgrave Macmillan, 2012 $z 9780230341470 $w (DLC) 2012016403 $w (OCoLC)793340014
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137110749 $z An electronic book accessible through the World Wide Web; click for information
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