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Psychoanalyzing cinema[electronic re...

Deleuze, Gilles, (1925-1995)

Psychoanalyzing cinema[electronic resource] :a productive encounter with Lacan, Deleuze, and Zizek /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/653
書名/作者:	Psychoanalyzing cinema : a productive encounter with Lacan, Deleuze, and Zizek // [edited by] Jan Jagodzinski.
其他作者:	Jagodzinski, Jan,
出版者:	New York, NY : : Palgrave Macmillan,, [2012]
面頁冊數:	1 online resource.
標題:	Psychoanalysis and motion pictures.
標題:	Motion pictures - Psychological aspects.
標題:	SOCIAL SCIENCE / Media Studies.
標題:	PERFORMING ARTS / Film & Video / History & Criticism.
標題:	PERFORMING ARTS / Film & Video / Screenwriting.
標題:	ART / Film & Video
標題:	PERFORMING ARTS / Film & Video / Reference
ISBN:	9781137116949 (electronic bk.)
ISBN:	1137116943 (electronic bk.)
ISBN:	0230338550
ISBN:	9780230338555
ISBN:	9781283737289 (MyiLibrary)
ISBN:	1283737280 (MyiLibrary)
書目註:	Includes bibliographical references.
摘要、提要註:	"Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"--
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137116949

Psychoanalyzing cinema[electronic resource] :a productive encounter with Lacan, Deleuze, and Zizek /
Psychoanalyzing cinemaa productive encounter with Lacan, Deleuze, and Zizek /[electronic resource] :[edited by] Jan Jagodzinski. - New York, NY :Palgrave Macmillan,[2012] - 1 online resource.

Includes bibliographical references.

"Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"--

ISBN: 9781137116949 (electronic bk.)

Source: 612743Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

526541
Lacan, Jacques,
1901-1981--Criticism and interpretation.Subjects--Topical Terms:

371937
Psychoanalysis and motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.P783 / P795 2012

Dewey Class. No.: 791.43/653

Psychoanalyzing cinema[electronic resource] :a productive encounter with Lacan, Deleuze, and Zizek /
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020 $a 1137116943 (electronic bk.)
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020 $a 9780230338555
020 $a 9781283737289 (MyiLibrary)
020 $a 1283737280 (MyiLibrary)
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037 $a 612743 $b Palgrave Macmillan $n http://www.palgraveconnect.com
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245 0 0 $a Psychoanalyzing cinema $h [electronic resource] : $b a productive encounter with Lacan, Deleuze, and Zizek / $c [edited by] Jan Jagodzinski.
260 $a New York, NY : $b Palgrave Macmillan, $c [2012]
300 $a 1 online resource.
504 $a Includes bibliographical references.
520 $a "Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"-- $c Provided by publisher.
520 $a "Psychoanalysis and schizoanalysis have provided two very powerful approaches to film and its theorization. While the former approach has certainly held the field in terms of theory, the latter position has emerged as its rival, forcing an encounter that needs to be taken seriously. Where does one approach leave off and the other begin? Is there such a break, or has such a line been 'trumped up' by both sides to hold on to their territories? Are both approaches necessary to one another, recalling that Deleuze and Guattari's criticism of psychoanalysis was basically confined to Freud at first. They were quite satisfied with Lacan's development of objet a, or at least as they wrote about it in Anti-Oedipus. A number of theorists have argued that Deleuze and Guattari have 'simply' continued to articulate the Real. To what extent can objet a and the Deleuzian 'event' be theorized as synonymous or complementary concepts? Is the Lacanian sinthome as applied to film comparable to schizoanalysis of film, and what might that be? This is to say, the late Lacan is much more useful to the question(s) than the Lacan of Screen theory etc. A productive encounter (I am utilizing this grapheme ( \/ ) specifically for this encounter) needs to take place to explore the tensions as well as the overlaps that exist between these two approaches. These essays attempt to do just that"-- $c Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Lacan, Jacques, $d 1901-1981 $x Criticism and interpretation. $3 526541
600 1 0 $a Deleuze, Gilles, $d 1925-1995 $x Criticism and interpretation. $3 378034
600 1 0 $a �Zi�zek, Slavoj $x Criticism and interpretation. $3 526542
650 0 $a Psychoanalysis and motion pictures. $3 371937
650 0 $a Motion pictures $x Psychological aspects. $3 371936
650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 472602
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism. $2 bisacsh $3 472899
650 7 $a PERFORMING ARTS / Film & Video / Screenwriting. $2 bisacsh $3 473332
650 7 $a ART / Film & Video $2 bisacsh $3 472901
650 7 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 472902
655 4 $a Electronic books. $2 local $3 336502
700 1 $a Jagodzinski, Jan, $d 1948- $3 380018
776 0 8 $i Print version: $t Psychoanalyzing cinema. $d New York, NY : Palgrave Macmillan, [2012] $z 9780230338555 $w (DLC) 2012013712 $w (OCoLC)785808924
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137116949
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